Sökning: "Erik Hedling"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden Erik Hedling.

  1. 1. Lindsay Anderson och filmens estetik

    Författare :Erik Hedling; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES;

    Sammanfattning : No abstract available.... LÄS MER

  3. 2. Screen play : audiovisual narrative & viewer interaction

    Författare :John Alexander; Erik Hedling; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

    Sammanfattning : How does the viewer, interact, with the on-screen narratives of film, television and computer? What new forms of interaction can be realised with the emerging narratives of CD-ROM and Internet?This study considers screen play in terms of the game the viewer plays with audiovisual narrative, and how the viewer negotiates with a story to interpret, revise and reconstruct new stories of their own.Aspects of game and narrative theories, cognitive psychology and phenomenology, as well as recent research in the fields of cinema, television and computer studies, are incorporated within a screen play theory, which positions the viewer both as player and storyteller. LÄS MER

  4. 3. The Most Delicate Subject : A History of Sex Education Films in Sweden

    Författare :Elisabet Björklund; Erik Hedling; Sven-Axel Månsson; Mariah Larsson; Eric Schaefer; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; sex education film; sexuality and Swedish cinema; censorship; genre; exploitation; pornography; gender; Swedish welfare state; Swedish sin ; Language of Love-films; school film; Film Studies; Filmvetenskap; Sex education film; sexuality and Swedish cinema; censorship; genre; exploitation; pornography; gender; Swedish welfare state; “Swedish sin”; Language of Love films; school film;

    Sammanfattning : The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. LÄS MER

  5. 4. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

  7. 5. En fiende till civilisationen : manlighet, genusrelationer, sexualitet och rasstereotyper i svensk filmkultur under 1920-talet

    Författare :Tommy Gustafsson; Kristian Gerner; Erik Hedling; Irene Andersson; Jan Olsson; Historia; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Boyhood; Censorship; Children; Consumerism; Fatherhood; Gender relations; Love; Masculinity; Melodrama; The pluralism of film; Racism; Sexuality; Swedish film of the 1920s; New woman; Film; Filmvetenskap; History; Historia; Gender studies; Genus; Film Studies; Filmvetenskap; Historia; History; Gender Studies; Genusvetenskap; Masculinity; Gender Relations; “The Pluralism of film”; Boyhood; The New Woman; Youth Culture; Boyish Masculinity; Queer; Sexuality; Popularity; Stereotypes; Racism; Race; Modern Masculinity; Melodrama; Love; Gösta Ekman; Gender; Film Culture; Fatherhood; Ethnicity; Consumerism; Children; Class; Homosexuality; Emotions; Consumer Culture; Censorship; Swedish Film of the 1920s;

    Sammanfattning : The setting for this study is Swedish film culture of the 1920s, which has been studied with a focus on representations of masculinity and gender relations according to four themes: 1) children and youth 2) fatherhood and love 3) sexuality and popularity 4) ethnicity and racial stereotyping.      The rise of new consumer culture in the first decades of the 20th century created turmoil between traditional and modern values, not least when it came to conceptions of gender. LÄS MER