Sökning: "Maaret Koskinen"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden Maaret Koskinen.

  1. 1. Spel och speglingar : en studie i Ingmar Bergmans filmiska estetik

    Författare :Maaret Koskinen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Bergman; Ingmar; 1918-2007.;

    Sammanfattning : .... LÄS MER

  3. 2. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

  4. 3. The Coming of Sound Film in Sweden 1928-1932 : New and Old Technologies

    Författare :Christopher Natzén; Maaret Koskinen; Bo Florin; Kevin Donnelly; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; coming of sound film; formative music; cinema in the 1920s; Sweden; intermediality; cinema musicians; Svensk Filmindustri; trade press; cinema as event; internal logic of perception; external logic of perception; advertisement; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines the coming of sound film in Sweden during the years 1928–1932, and the reception of mechanically recorded sounds both in the trade press and among audiences. The novelty of sound film opened up for a negotiation of the perception of sound and image, as it made visible the film medium’s technological construction, before this visibility was once more absorbed by the cinematic discourse. LÄS MER

  5. 4. Scenes from an Audience : The auteur and the film text in audience experiences: Ingmar Bergman – a case study

    Författare :Jono Van Belle; Maaret Koskinen; Stijn Joye; Gino Verleye; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical audience research; film reception; Ingmar Bergman; Sweden; Belgium; heterosexual love and marriage; Scener ur ett äktenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Over the last decades, the new cinema history (NCH) strand has developed within film studies. This new strand moves away from the traditional focus on film texts and instead focuses on cinemagoing as social and cultural phenomenon, and the cinema as a social institution. LÄS MER

  7. 5. Den glömde mannen : Erik "Hampe" Faustmans filmer

    Författare :Per Vesterlund; Maaret Koskinen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Erik Faustman; Filmregissörer; Sverige; 1940-talet; 1950-talet; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation analyses the films of the Swedish film director and actor Erik "Hampe" Faustman (1919-1961). Faustman directed 20 films during the period 1943-1955. In the history of Swedish cinema, Faustman's role is that of the socially conscious spokesman for the working class. LÄS MER