Sökning: "Cinema Studies"

Visar resultat 1 - 5 av 67 avhandlingar innehållade orden Cinema Studies.

  1. 1. Trans Cinema and Its Exit Scapes : A Transfeminist Reading of Utopian Sensibility and Gender Dissidence in Contemporary Film

    Författare :Wibke Straube; Cecilia Åsberg; Nina Lykke; Lann Hornscheidt; Susan Stryker; Linköpings universitet; []
    Nyckelord :SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; HUMANITIES; HUMANIORA; SAMHÄLLSVETENSKAP; HUMANIORA; SOCIAL SCIENCES; HUMANITIES; Transgender studies; transfeminism; queer; gender; feminism; multisensorial cinema; haptic spectatorship; touch; hearing; seeing; exit scapes; sensible cinematic intra-activity; Trans Cinema; visual cultural studies; film theory; Transstudier; transfeminism; queer; genus; feminism; multisensorisk film; haptic spectatorship; beröring känsel; hörsel; seende; exit scapes; sensible cinematic intra-activity; trans cinema; visuella kulturstudier; filmteori;

    Sammanfattning : Trans Cinema and its Exit Scapes offers a critical and creative intervention into cultural representations of gendered body dissidence in contemporary film. The study argues for the possibility of finding spaces of “disidentification”, so-called “exit scapes” within the films. LÄS MER

  2. 2. Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia

    Författare :Nadi Tofighian; John Fullerton; Charles Musser; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; HUMANITIES; colonial history; early cinema; film history; distribution; transnational networks; entertainment culture; Southeast Asia; Singapore; postcolonial theory; colonial discourse; ethnicity; race; whiteness; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. LÄS MER

  3. 3. Understanding cinema : constructivism and spectator psychology

    Författare :Per Persson; Murry S. Smith; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

    Sammanfattning : .... LÄS MER

  4. 4. Bio för barnens bästa? : Svensk barnfilm som fostran och fritidsnöje under 60 år

    Författare :Malena Janson; Astrid Söderbergh Widding; Karin Helander; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; barnfilm; barnfilmsestetik; barnfilmspolitik; filmcensur; svensk filmhistoria; barndom; barnkultur; barndomsdiskurser; diskursanalys; Michel Foucault; Olle Hellbom; Kay Pollak; Rolf Husberg; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : The main aim of this dissertation is to examine the different childhood discourses permeating Swedish children’s cinema. This is done through close readings of three films that, each in their own way, play an important role in the history of this tradition: THE CHILDREN OF FROSTED MOUNTAIN (Rolf Husberg, 1945), THE CHILDREN OF BULLERBY VILLAGE (Olle Hellbom, 1960) and ELVIS! ELVIS! (Kay Pollak, 1977). LÄS MER

  5. 5. Framing the Feature Film : Multi-Reel Feature Film and American Film Culture in the 1910s

    Författare :Joel Frykholm; Jan Olsson; Richard Abel; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; multi-reel feature film; cinema in the 1910s; early cinema; United States; film culture; Philadelphia; The Spoilers; transitional cinema; journalism; trade press; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation addresses the breakthrough of the multi-reel feature film in the United States, and the significance of this process within the wider context of the American film industry and culture in the 1910s. The purpose is to provide a new, and more comprehensive analytical framing of the topic, and to enhance our understanding of how a new central commodity, i. LÄS MER