Sökning: "Swedish Film of the 1920s"

Visar resultat 1 - 5 av 8 avhandlingar innehållade orden Swedish Film of the 1920s.

  1. 1. The Most Delicate Subject : A History of Sex Education Films in Sweden

    Detta är en avhandling från Lunds universitet

    Författare :Elisabet Björklund; Lunds universitet.; Lund University.; [2012]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Film Studies; Filmvetenskap; sex education film; sexuality and Swedish cinema; censorship; genre; exploitation; pornography; gender; Swedish welfare state; Swedish sin ; Language of Love-films; school film; Sex education film; “Swedish sin”; Language of Love films;

    Sammanfattning : The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. LÄS MER

  2. 2. ”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg

    Detta är en avhandling från Mediehistoriskt arkiv, Mediehistoria Lunds universitet

    Författare :Lars Diurlin; Lunds universitet.; Lund University.; [2017-12-19]
    Nyckelord :HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

    Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938). Kylberg’s nine films produced between 1959 and 1996 serves as a historical delimitation. A purpose of the study is to critically review the existing historical writing surrounding Swedish film culture and film politics, during the timespan in focus. LÄS MER

  3. 3. En fiende till civilisationen manlighet, genusrelationer, sexualitet och rasstereotyper i svensk filmkultur under 1920-talet

    Detta är en avhandling från Lund : Sekel Bokförlag

    Författare :Tommy Gustafsson; Lunds universitet.; Lund University.; [2007]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; HUMANITIES and RELIGION History and philosophy subjects History subjects History; HUMANIORA och RELIGIONSVETENSKAP Historisk-filosofiska ämnen Historieämnen Historia; INTERDISCIPLINARY RESEARCH AREAS Gender studies; TVÄRVETENSKAPLIGA FORSKNINGSOMRÅDEN Genus; Film Studies; Filmvetenskap; Historia; History; Gender Studies; Genusvetenskap; Boyhood; Censorship; Children; Consumerism; Fatherhood; Gender relations; Love; Masculinity; Melodrama; The pluralism of film; Racism; Sexuality; Swedish film of the 1920s; New woman; Gender Relations; “The Pluralism of film”; The New Woman; Youth Culture; Boyish Masculinity; Queer; Popularity; Stereotypes; Race; Modern Masculinity; Gösta Ekman; Gender; Film Culture; Ethnicity; Class; Homosexuality; Emotions; Consumer Culture; Swedish Film of the 1920s;

    Sammanfattning : The setting for this study is Swedish film culture of the 1920s, which has been studied with a focus on representations of masculinity and gender relations according to four themes: 1) children and youth 2) fatherhood and love 3) sexuality and popularity 4) ethnicity and racial stereotyping.      The rise of new consumer culture in the first decades of the 20th century created turmoil between traditional and modern values, not least when it came to conceptions of gender. LÄS MER

  4. 4. The Coming of Sound Film in Sweden 1928-1932 New and Old Technologies

    Detta är en avhandling från Stockholm : Acta Universitatis Stockholmiensis

    Författare :Christopher Natzén; Stockholms universitet.; [2010]
    Nyckelord :HUMANIORA; HUMANITIES; coming of sound film; formative music; cinema in the 1920s; Sweden; intermediality; cinema musicians; Svensk Filmindustri; trade press; cinema as event; internal logic of perception; external logic of perception; advertisement; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines the coming of sound film in Sweden during the years 1928–1932, and the reception of mechanically recorded sounds both in the trade press and among audiences. The novelty of sound film opened up for a negotiation of the perception of sound and image, as it made visible the film medium’s technological construction, before this visibility was once more absorbed by the cinematic discourse. LÄS MER

  5. 5. Reproducing Languages, Translating Bodies Approaches to Speech, Translation and Cultural Identity in Early European Sound Film

    Detta är en avhandling från Stockholm : Acta Universitatis Stockholmiensis

    Författare :Anna Sofia Rossholm; Växjö universitet.; Stockholms universitet.; [2006]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; Filmvetenskap; Film Studies; Sound Theory; Translation; Intermediality; Film Speech; European Cinema; Writing in Film; Stardom; Transition to Sound; Film and Theatre;

    Sammanfattning : This study discusses and analyses recorded/filmed speech, translation, and cultural identity in film discourses in early European sound film. The purpose is to frame these issues from a number of theoretical perspectives in order to highlight relations between media, speech and translation. The points of departure are 1. LÄS MER