Sökning: "photography"

Visar resultat 1 - 5 av 179 avhandlingar innehållade ordet photography.

  1. 1. Impure vision : American staged art photography of the 1970s

    Författare :Moa Goysdotter; Institutionen för kulturvetenskaper; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; vision; phenomenology; postphenomenology; visuality; Lucas Samaras; Arthur Tress; Duane Michals; Les Krims; staged photography; art photography; history of photography; 20th century photography; photography from the 1970s; American photography;

    Sammanfattning : The aim of this study is to explore how American staged art photographers in the 1970s problematized a traditional, visualist approach to the photograph as mediator or interface between human subject and reality, which had been present in the straight photography that had dominated American art photography from the early decades of the twentieth century. Instead of viewing the camera as an objective, optical device and photographs as mechanically reproducible artistic products, the proponents of the new "staged photography" seized the possibilities of conveying holistic life experiences by employing a full range of sensory impressions. LÄS MER

  2. 2. Fotografiska drömmar och digitala illusioner : Bruket av bearbetade fotografier i svensk dagspress, reklam, propaganda och konst under 1990-talet

    Författare :Anna Dahlgren; Margaretha Rossholm Lagerlöf; Anna Tellgren; Karin Becker; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; photography; computerbased image alteration; digital photography; photomontage; press photography; advertising photography; art photography; image policy; visual culture; manipulation; authenticity; perfection; Photoshop; Art; Konstvetenskap;

    Sammanfattning : The aim of this dissertation is to study what effects computer-based technology for altering photographic images had on the photographic medium and visual culture in general. The aim is also to describe the expectations and conceptions of photographic alterations and digital technology in the 1990s. LÄS MER

  3. 3. Händelsehorisont || Event Horizon. Distribuerad fotografi

    Författare :Cecilia Grönberg; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANIORA; HUMANITIES; analogue photography; digital photography; distributed photography; decentralised strategies; photography; fotografisk gestaltning; publishing; media ecologies; the book as medium; montage; layers; visual historiography; alternative historiography; artistic research; event horizon;

    Sammanfattning : In recent decades, photography as a technology has undergone a series of transformative changes, which have, in turn, entailed different renegotiations of the functions of photography – as image or information, as inscription or transmission. Within the framework of such a radical shift, this dissertation in photography insists on probing into and exploring the persisting effects of analogue photographs within digital ecologies. LÄS MER

  4. 4. Computational Photography : High Dynamic Range and Light Fields

    Författare :Saghi Hajisharif; Jonas Unger; Anders Ynnerman; Karol Myszkowski; Linköpings universitet; []

    Sammanfattning : The introduction and recent advancements of computational photography have revolutionized the imaging industry. Computational photography is a combination of imaging techniques at the intersection of various fields such as optics, computer vision, and computer graphics. LÄS MER

  5. 5. “Bridal Couples" : On Hybridity in Conceptual Chinese Photography 1995–2009

    Författare :Eva Aggeklint; Marja Kaikkonen; Julia F. Andrews; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; China; Reform Period China; Contemporary Chinese Art; Contemporary Chinese Photography; Conceptual Photography; Bridal Photography; Bridal Couples; Art Market; Auction Houses; Third Space; Hybrid; Hybridity; Hybridisation; Interpretation; Asian Languages and Cultures; Asiens språk och kulturer;

    Sammanfattning : Chinese art of the 1990s responded to the many changes in the environment and thereby to changes in personal lives. Many Chinese artists of the time were therefore concerned with their selves and their works reveal explorations of personal identity. LÄS MER