Sökning: "verfremdung"

Hittade 4 avhandlingar innehållade ordet verfremdung.

  1. 1. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

  2. 2. Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen

    Författare :Olof Siljeholm; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; intertextuality; alienation effects Verfremdung ; biblical allusions; the gods of Szechwan and God in the Bible; Shen Teh’s double identity; capitalistic society; Brecht; Bertolt; Der gute Mensch von Sezuan;

    Sammanfattning : The Bible has had a considerable impact on Brecht’s literary production, which is already verified by scholars such as Reinhold Grimm and G. Ronald Murphy. LÄS MER

  3. 3. Myt, makt och möte : Om ett genuskulturellt rotsystem betraktat genom en skådespelarutbildning

    Författare :Ulrika von Schantz; Tiina Rosenberg; Lena Hammergren; Cecilia Sjöholm; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; actor education and gender; cutural hegemony; cultural heritage; power relations; psychoanalysis; hermeneutics; myths and discourses; Theatre; Teatervetenskap; Theatre Studies; teatervetenskap;

    Sammanfattning : This dissertation concerns a certain experienced (sub)reality, a reality which emerged from something “in between”, from a confluence of factors - the project Gender on Stage, a particular actor education programme and myself in the role of observer. The project Gender on Stage started as an interdisciplinary study between the National Academy of Mime and Acting in Stockholm and the Department of Theatre Studies and the Department of Nordic Languages at Stockholm University. LÄS MER

  4. 4. Aska, Tomhet & Eld. Outsiderproblematiken hos Bruno K. Öijer

    Författare :Per Bäckström; Litteraturvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; literature criticism; General and comparative literature; theatre of cruelty; genre; rock’n’roll; performance; orality; metaphor; poetics; manifest; Feber; stencil journals; Guru Papers; outsider; avant-garde; Bruno K. Öijer; poetry; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori; Scandinavian languages and literature; Nordiska språk språk och litteratur ;

    Sammanfattning : The topic of this dissertation is the work of the poet Bruno K. Öijer (b. 1951). My thesis is, that a recognition of how he has assumed the outsider position is vital for an understanding of his work, and that it also may contribute to an explanation of his particular importance in the cultural arena of the early 70s. LÄS MER