Visar resultat 1 - 5 av 34 avhandlingar innehållade ordet intermediality.
Sammanfattning : In this thesis I investigate what kind of mental imagery ekphrastic and pictorial poetry can evoke, how time is represented in this kind of poetry, and how readers experience the temporality it represents. Ekphrasis (a verbal representation of a static, visual, iconic representation) and pictorialism (a phenomenon that occurs when the reality of the fictive world, either psychological or physical, in the text is represented as image) are intermedial concepts: in various ways and to various degrees, ekphrastic and pictorial texts refer to and represent static, visual, iconic media such as painting, photography and sculpture. LÄS MER
Sammanfattning : The thesis explores the role of music in Günter Grass’s novels. In pointing out the vital role of intermediality for Grass’s narrative strategies, the thesis opens up for a new, intermedial perspective on his work. LÄS MER
3. Mimetiskt syskonskap : En representationsteoretisk undersökning av relationen fiktionsprosa-fiktionsfilm
Sammanfattning : The dissertation deals with two different subjects: on the one hand the interrelations of narrative prose fiction and narrative fiction film, on the other hand fictional narration and intermediality as such. The first part discusses the concepts of medium and intermediality, and presents some general theoretical models. LÄS MER
Sammanfattning : Modernitet och intermedialitet is the first major study of the Swedish modernist writer Erik Asklund (1908-1980) and his works. The thesis consists of an introductory chapter and three close readings of Asklund’s early novels Kvinnan är stor (The Woman is Great, 1931), Lilla land (A Small Country, 1933), and Fanfar med fem trumpeter (A Fanfare with Five Trumpets, 1934). LÄS MER
Sammanfattning : This study investigates viewing experiences that came with the introduction of cinema. Merging (film) history with aesthetic theory, this dissertation entails historically informed theoretical reconstructions of viewing experiences between 1896 and 1898. LÄS MER