Sökning: "stockholm språk"
Visar resultat 1 - 5 av 248 avhandlingar innehållade orden stockholm språk.
1. The Intonational Phonology of Stockholm Swedish
Sammanfattning : This thesis develops the phonological model for the Stockholm Swedish intonation system. Though previous research provides a general model of this system, many phonological aspects of it have remained understudied. LÄS MER
2. I gatuplanet. Namnbrukarperspektiv på gatunamn i Stockholm
Sammanfattning : The purpose of this thesis is to apply a name user perspective to the street names of Stockholm, with a focus on knowledge and views about names among the city’s inhabitants. On the basis of interview surveys, a picture is presented of the knowledge and views of Stockholmers regarding their city’s street names and the semantic or thematic name categories to which many of them belong; that is, the study seeks to identify general features of the ways in which the people of the city relate to their street names. LÄS MER
3. Något betydelsefullt : Leonid Dobyčins möten bortom orden i den sovjetiska samtiden
Sammanfattning : This thesis studies the 1931 short story collection Portret [The Portrait] by the Russian author Leonid Ivanovich Dobychin (1894–1936?). My main argument is that the principal theme in Dobychin’s writings arises out of the complexities of human encounters. LÄS MER
4. We Call upon the Author : Contemporary Biofiction and Fyodor Dostoevsky
Sammanfattning : This thesis studies fictional representations of Fyodor Dostoevsky in contemporary biofiction. The aim of the study is to present an intermedial theoretical framework for biofiction, a genre defined as fictional biographical and often metafictional narratives in which a biographical subject serves as the focal point for the story or plays a role integral to the narrative. LÄS MER
5. The Burning Word : History and Myth in Maximilian Voloshin's Neopalimaia Kupina
Sammanfattning : The book Neopalimaia Kupina: stikhi o voine i revoliutsii (The Burning Bush: Poems about War and Revolution) by Maximilian Voloshin (1877–1932) depicts the revolutionary period in Russia. This dissertation analyzes the work’s composition, showing how it was shaped and reshaped in response to the dramatic events of the first two and a half decades of the twentieth century, and how it remains open and mirrors the ongoing development of history. LÄS MER