Sökning: "Russian Literature"
Visar resultat 1 - 5 av 76 avhandlingar innehållade orden Russian Literature.
- Detta är en avhandling från Umeå : Umeå University
Sammanfattning : Shakespeare’s 154 sonnets have become the interest of several generations of Russian translators. Overall, after their first appearance in the middle of the nineteenth century, at least thirty-five Russian translations of the complete sonnet collection have been produced so far, though mostly during the last three decades. LÄS MER
- Detta är en avhandling från Stockholm : Acta Universitatis Stockholmiensis
Sammanfattning : The aim of this dissertation is to study the evolution of the Russian anti-utopian literary genre in the new post-Soviet environment in the wake of the defunct Soviet socialist utopia. The genre has gained a renewed importance during the 2000s, and has been used variously as a means of dealing satirically with the Soviet past, of understanding the present, and of pondering possible courses into the future for the Russian Federation. LÄS MER
- Detta är en avhandling från Stockholm : Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, Stockholms universitet
Sammanfattning : This thesis studies the 1931 short story collection Portret [The Portrait] by the Russian author Leonid Ivanovich Dobychin (1894–1936?). My main argument is that the principal theme in Dobychin’s writings arises out of the complexities of human encounters. LÄS MER
- Detta är en avhandling från Centre for Languages and Literature, Lund University
Sammanfattning : This study is centred around different aspects of Boris Pasternak's early poetry that jeopardize semantic coherency and interpretation of his poems. Special attention is paid to metaphors, metonymies, lexical multiplicity (that is a multiplicity of relevant meanings codified in a dictionary) and obscure syntactic connections and how these aspects are combined in his poems. LÄS MER
- Detta är en avhandling från Lund University (Media-Tryck)
Sammanfattning : In order to examine contemporary Russian cinema, this thesis has two points of departure: firstly the Petersburg myth, which is here defined as reversible or ambiguous since it includes both an eschatological and a cosmogonic aspect; and secondly, the Petersburg literary text as defined in works by Vladimir Toporov. During the twentieth century, the vitality and actuality of the Petersburg myth was questioned both in literature and in theoretical works. LÄS MER