Sökning: "Intermediality"

Visar resultat 1 - 5 av 33 avhandlingar innehållade ordet Intermediality.

1. 1. What Literature Can Make Us See : Poetry, Intermediality, Mental Imagery

   Författare :Emma Tornborg; Lars Elleström; Heidrun Führer; Valerie Robillard; Linnéuniversitetet; []
   Nyckelord :HUMANIORA; HUMANITIES; Intermediality; mental imagery; poetry; Comparative literature; Litteraturvetenskap;

   Sammanfattning : In this thesis I investigate what kind of mental imagery ekphrastic and pictorial poetry can evoke, how time is represented in this kind of poetry, and how readers experience the temporality it represents. Ekphrasis (a verbal representation of a static, visual, iconic representation) and pictorialism (a phenomenon that occurs when the reality of the fictive world, either psychological or physical, in the text is represented as image) are intermedial concepts: in various ways and to various degrees, ekphrastic and pictorial texts refer to and represent static, visual, iconic media such as painting, photography and sculpture. LÄS MER

3. 2. Musik in der Prosa von Günter Grass : Intermediale Bezüge  —Transmediale Perspektiven

   Författare :Beate Schirrmacher; Elisabeth Wåghäll Nivre; Edgar Platen; Kai Sicks; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Günter Grass; Intermediality; Transmediality; Music; Intermedial references; German literature; Die Blechtrommel; The Tin Drum; Ein weites Feld; Too Far Afield; Im Krebsgang; Crabwalk; Vergegenkunft; Paspresenture; German; tyska;

   Sammanfattning : The thesis explores the role of music in Günter Grass’s novels. In pointing out the vital role of intermediality for Grass’s narrative strategies, the thesis opens up for a new, intermedial perspective on his work. LÄS MER

4. 3. Mimetiskt syskonskap : En representationsteoretisk undersökning av relationen fiktionsprosa-fiktionsfilm

   Författare :Christer Johansson; Göran Rossholm; Greger Andersson; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; semiotics; narratology; literary theory; film theory; aesthetic theory; representation; medium; fictionality; narrative; meaning; intermediality; iconicity; indexicality; metaphor; narrative perspective; fiction; film; Literature; Litteraturvetenskap; litteraturvetenskap; Literature;

   Sammanfattning : The dissertation deals with two different subjects: on the one hand the interrelations of narrative prose fiction and narrative fiction film, on the other hand fictional narration and intermediality as such. The first part discusses the concepts of medium and intermediality, and presents some general theoretical models. LÄS MER

5. 4. Modernitet och intermedialitet i Erik Asklunds tidiga romankonst

   Författare :Mikael Askander; Johan Stenström; Växjö universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Swedish 1930’s; modernity; intermediality; modernism; medialization; Josef Kjellgren; Artur Lundkvist; Harry Martinson; Gustav Sandgren; Five young men; jazz novel; cinematic novel; popular culture; visual culture; urban life; Stockholm novels; Literature; Litteraturvetenskap; Comparative literature; Litteraturvetenskap;

   Sammanfattning : Modernitet och intermedialitet is the first major study of the Swedish modernist writer Erik Asklund (1908-1980) and his works. The thesis consists of an introductory chapter and three close readings of Asklund’s early novels Kvinnan är stor (The Woman is Great, 1931), Lilla land (A Small Country, 1933), and Fanfar med fem trumpeter (A Fanfare with Five Trumpets, 1934). LÄS MER

7. 5. Aesthetic Experiences of Presence : Case Studies in Film Exhibition, 1896-1898

   Författare :Gert Jan Harkema; Jan Olsson; John Fullerton; Tom Gunning; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Film history; media history; early cinema; film experience; 19th century; aesthetics; presence; intermediality; phenomenology; the Netherlands; Chicago; modernity; fairground; vaudeville; Aladdin; Henri Grünkorn; filmvetenskap; Cinema Studies;

   Sammanfattning : This study investigates viewing experiences that came with the introduction of cinema. Merging (film) history with aesthetic theory, this dissertation entails historically informed theoretical reconstructions of viewing experiences between 1896 and 1898. LÄS MER