Sökning: "The Swedish Film Institute"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden The Swedish Film Institute.

1. 1. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

   Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

   Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER

3. 2. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg

   Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

   Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER

4. 3. Nycklar till Kommunikation : Kommunikation mellan vuxna personer med grav förvärvad hjärnskada och personernas närstående, anhöriga och personal

   Författare :Pia Käcker; Jerker Holmbäck; Anders Möller; Linköpings universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Communication; social interaction; communicative impairment; communicative ability; acquired severe brain damage; global aphasia; language impairment; friends and family; caregivers; kommunikation; social interaktion; kommunikationsstörning; kommunikativ kompetens; förvärvad grav hjärnskada; global afasi; språkstörning; anhöriga; personal; Disability research; Handikappsforskning;

   Sammanfattning : Studien fokuserar kommunikation mellan vuxna personer med grav förvärvad hjärnskada och deras närstående. Syftet är att med utgångspunkt från de närståendes berättelser beskriva hur kommunikationen manifesteras, samt att ge en teoretisk beskrivning av vilka faktorer som understödjer respektive motverkar kommunikationen. LÄS MER

5. 4. Skenet som bedrog: Mai Zetterling och det svenska sextiotalet

   Författare :Mariah Larsson; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; historiography; nationality; gender; feminism; modernism; 1960s; art cinema; Swedish national cinema; Mai Zetterling; women directors; Cinema theory and history; Filmvetenskap;

   Sammanfattning : Mai Zetterling (1925-1994) was a popular actress in the 1940s. In the 1960s, she directed four feature films. The films ? Loving Couples (1964), Night Games (1966), The Girls (1968) and Dr. LÄS MER

7. 5. Dokumentärfilmen som tidsresa - Modstrilogin

   Författare :Ingrid Esping; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; Arne Sucksdorff; Peter Weiss; Harry Schein; FilmCentrum; Folkets Bio; 1960-tal; 1970-tal; 1980-tal; John Grierson; dokumentärfilm och etik; dokumentära metoder; Filmvetenskap; Cinema theory and history; Dokumentärfilm; Stefan Jarl;

   Sammanfattning : Stefan Jarl (1941-) is perhaps most well known for his trilogy of films about a group of outcast mods in the Swedish welfare state. The trilogy covers three decades: the first film, They Call Us Misfits, was made in 1968; the second, A Respectable Life, in 1979, and the third, Misfits to Yuppies, in 1993. LÄS MER