Sökning: "Svenska Filminstitutet"

Hittade 4 avhandlingar innehållade orden Svenska Filminstitutet.

1. 1. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg

   Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

   Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER

3. 2. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

   Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

   Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER

4. 3. Skenet som bedrog: Mai Zetterling och det svenska sextiotalet

   Författare :Mariah Larsson; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; historiography; nationality; gender; feminism; modernism; 1960s; art cinema; Swedish national cinema; Mai Zetterling; women directors; Cinema theory and history; Filmvetenskap;

   Sammanfattning : Mai Zetterling (1925-1994) was a popular actress in the 1940s. In the 1960s, she directed four feature films. The films ? Loving Couples (1964), Night Games (1966), The Girls (1968) and Dr. LÄS MER

5. 4. Dokumentärfilmen som tidsresa - Modstrilogin

   Författare :Ingrid Esping; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; Arne Sucksdorff; Peter Weiss; Harry Schein; FilmCentrum; Folkets Bio; 1960-tal; 1970-tal; 1980-tal; John Grierson; dokumentärfilm och etik; dokumentära metoder; Filmvetenskap; Cinema theory and history; Dokumentärfilm; Stefan Jarl;

   Sammanfattning : Stefan Jarl (1941-) is perhaps most well known for his trilogy of films about a group of outcast mods in the Swedish welfare state. The trilogy covers three decades: the first film, They Call Us Misfits, was made in 1968; the second, A Respectable Life, in 1979, and the third, Misfits to Yuppies, in 1993. LÄS MER