Sökning: "Max Liljefors"

Hittade 4 avhandlingar innehållade orden Max Liljefors.

  1. 1. Bilder av Förintelsen. Mening, minne, kompromettering

    Författare :Max Liljefors; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Visual Studies; Visual Culture; Holocaust Representation; Holocaust Art; Holocaust Studies; Documentary Photography; Abject Art; NO!art; Monuments; Psychoanalytic Theory; Julia Kristeva; Jacques Lacan; Abjection; Sublimation; Sacrifice; Katharsis; Apocaly; Art history; Konsthistoria; Contemporary history since 1914 ; Nutidshistoria från 1914 ;

    Sammanfattning : This thesis examines the representation in visual culture of the Holocaust, the Nazi genocide of European Jewry. It is divided into three main parts, each one focusing on a particular aspect of Holocaust representation. LÄS MER

  3. 2. Självsyn och världsbild i tecknade serier : Visuella livsberättelser av Cecilia Torudd, Ulf Lundkvist, Gunna Grähs och Joakim Pirinen

    Författare :Kristina Arnerud Mejhammar; Jan von Bonsdorff; Margareta Wallin Wictorin; Max Liljefors; Uppsala universitet; []
    Nyckelord :self-image; world-view; comics; adult comics; alternative comics; visual life narratives; autobiography; auto-fiction; Cecilia Torudd; Ulf Lundkvist; Gunna Grähs; Joakim Pirinen; självsyn; världsbild; tecknade serier; vuxenserier; alternativserier; visuella livsberättelser; självbiografi; autofiktion; Cecilia Torudd; Ulf Lundkvist; Gunna Grähs; Joakim Pirinen;

    Sammanfattning : This thesis researches the ways that comics artists represent themselves in their work and use their own personal life experience to create visual life narratives. The main purpose is to investigate concepts of both self-image and world-view in comics by Cecilia Torudd, Ulf Lundkvist, Gunna Grähs and Joakim Pirinen, in order to achieve a more nuanced understan- ding of life narratives in a broader sense. LÄS MER

  4. 3. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg

    Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

    Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER

  5. 4. Flow and Friction : On the Tactical Potential of Interfacing with Glitch Art

    Författare :Vendela Grundell; Anna Dahlgren; Mårten Snickare; Max Liljefors; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Glitch; Contemporary Art; Photography; Digital Media; Interface; Internet; Systems Aesthetics; Network Society; Tactics; Phenomenology; Spectatorship; Viewer; Experience; Rosa Menkman; Phillip Stearns; Evan Meaney; konstvetenskap; Art History;

    Sammanfattning : This thesis aims to analyze how interfacing affects viewer experiences and viewer positions, and how glitch art online makes that effect visible. Glitch art is concerned with disruptions in the systems that govern how for instance photography is produced, circulated and displayed in a digital image flow. LÄS MER