Sökning: "Avant-Garde"

Visar resultat 1 - 5 av 44 avhandlingar innehållade ordet Avant-Garde.

  1. 1. Coloured Universe and the Russian Avant-Garde : Matiushin on Colour Vision in Stalin's Russia, 1932

    Detta är en avhandling från Stockholm : Department of the History of Art, Sweden

    Författare :Margareta Tillberg; Stockholms universitet.; [2003]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Colour vision; Russian avant-garde; Mikhail Matiushin; Elena Guro; Ender siblings; art; practices; science; culture; colour theory; laboratory observations; physiology; psychology; synaesthesia; formalism; dialectical materialism; architecture; design; HUMANITIES and RELIGION Aesthetic subjects Art; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Konstvetenskap; konstvetenskap; Art History; colour practices; Stalin; universal language; Matjušin; Michail Vasilʹevič; 1861-1934; Experimentell konsthistoria Sovjetunionen 1930-talet; Färglära historia Sovjetunionen 1930-talet;

    Sammanfattning : Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. LÄS MER

  2. 2. Åke Hodell. Art and Writing in the Neo-Avant-Garde

    Detta är en avhandling från Göteborg : Göteborgs universitet

    Författare :Johan Gardfors; Göteborgs universitet.; Gothenburg University.; [2017]
    Nyckelord :HUMANIORA; HUMANITIES; Åke Hodell; neo-avant-garde; concrete poetry; illegibility; archive; conceptual writing; materiality; visual poetry; text-sound-composition; intermedia; technology and writing;

    Sammanfattning : Åke Hodell and the Art of Illegibility provides the first in-depth discussion in English of the concrete poet and neo-avant-garde artist Åke Hodell’s works from the 1960s. Throughout the study, Hodell’s artistic practice is contextualized by way of comparison with examples from the earlier avant-gardes, as well as with contemporaneous writers and artists, indicating how the avant-garde and modernist legacies are preserved and transformed in the works of Hodell. LÄS MER

  3. 3. Konsten att sätta texter i verket. Gertrude Stein, Arne Sand och litteraturens (o)befintliga specificitet

    Detta är en avhandling från Göteborg : Göteborgs universitet

    Författare :Nils Olsson; Göteborgs universitet.; Gothenburg University.; [2010]
    Nyckelord :HUMANIORA; HUMANITIES; Gertrude Stein; Arne Sand; modernism; avant-garde; neo-avant-garde; aesthetics; art theory; formalism; post-medium; minimalism; theory of the novel; materiality; poetics; Maurice Blanchot; Hal Foster; Rosalind Krauss; Jacques Rancière;

    Sammanfattning : The dissertation has a tripartite subject: Gertrude Stein’s novel A Novel of Thank You (1926), Arne Sand’s Väderkvarnarna (1962), and the specificity of literature before an expanded field of general art production. By reading two no¬vels located within the horizon of modernism, the thesis examines how a critical discourse on the historical and aesthetic conditions of literary practice is put for¬ward through formal strategies that challenge the conventions of the modernist novel. LÄS MER

  4. 4. Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81

    Detta är en avhandling från Göteborg : Göteborgs universitet

    Författare :Atene Mendelyte; Lunds universitet.; Lund University.; [2017-11-03]
    Nyckelord :HUMANIORA; HUMANITIES; U.S. avant-garde film; Gilles Deleuze; film-philosophy; sobjective image; metaphysics of technique; conceptual cartography of film-worlds; transcendental empiricism; film semiotics; postmodernism;

    Sammanfattning : The aim of this dissertation is to investigate a number of U.S. avant-garde films using Deleuzian film-philosophy in order to describe their thought. I develop the taxonomy of cinematic images created by the French philosopher Gilles Deleuze by introducing a new type of image. LÄS MER

  5. 5. Clement Greenberg och hans kritiker

    Detta är en avhandling från Stockholm : Stockholm University

    Författare :Håkan Nilsson; Stockholms universitet.; [2000]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANITIES and RELIGION Aesthetic subjects Art; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Konstvetenskap; Konstkritiker; Förenta staterna; 1900-talet; konstvetenskap; History Of Art; Modernism; postmodernism; avant-garde; Clement Greenberg; Hal Foster; minimalism; painting; genealogy.;

    Sammanfattning : This dissertation, using a genealogical perspective, examines American art critic Clement Greenberg and why he has become the foremost representative of modernism in much of contemporary, postmodern art criticism. The minimalist break with Greenbergian modernism (esthetic/formalism) during the Sixties has played, and continues to play, an important role in art theory. LÄS MER