Sökning: "Expanded Cinema"
Visar resultat 1 - 5 av
6 avhandlingar innehållade orden Expanded Cinema.
-
Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;
Sammanfattning :
This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER
-
-
Författare :Rosa Barba; Konsthögskolan i Malmö; []
Nyckelord :HUMANIORA; HUMANITIES; Cinema; Astronomy; Fictional Library; Film; Flicker; Material; New Machine; Autonomy; Embarking; Collective Performances; Public; Auditorium; Space;
Sammanfattning :
This research engages with the space beyond cinema and comprises a futuristic vision about the condition of cinema.My work takes a conceptual approach that considers cinema in an architectural sense and as an instrument, where the environment, the screen, and the projection can be combined or pushed forward to create another spatiotemporal dimension that is concurrent with and beyond the context of interior or exterior space. LÄS MER
-
Författare :Imogen Stidworthy; Konsthögskolan i Malmö; []
Nyckelord :HUMANIORA; HUMANITIES; Language; Voicing; Listening; Non-verbal communication; Metacinematic; Rub-up; Installation; Video art; Cinema; Image; Non-retinal image; Sound; Mirroring; Mimesis; Post-cinematic affect; Autism; Aphasia; Cross-modal sensing; Synaesthesia; Psychoanalysis; Neurology; Developmental psychology; Infant development; Intensive interaction; Speech therapy; Auditory surveillance; Forensic listening; Psychiatry;
Sammanfattning :
My research engages with the varieties of relationship between verbal and non-verbal forms of language and communication. I approach the issue through three people who live or work with non-verbal people on the autistic spectrum: Phoebe Caldwell, Fernand Deligny and Iris Johansson. LÄS MER
-
Författare :Ashley Smith; Malin Wahlberg; Patrick Vonderau; Patricia R. Zimmermann; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Home movies; amateur film; non-theatrical film; moving images; archiving; film archives; American South; Mississippi; Jim Crow; race; whiteness; witnessing; ordinary; filmvetenskap; Cinema Studies;
Sammanfattning :
This study investigates the ways in which private home movies are transformed into curated archival objects. Through the concept of the archival home movie, it explores the impact of preservation and content description on access, use, and, thus, regional historiography. LÄS MER
-
-
Författare :Ylva Habel; Soveig Julich; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Visuell kultur; urbanitet; kvinnor; mediehistoria; reception; välfärdsstaten; Film; Filmvetenskap; filmvetenskap; Cinema Studies;
Sammanfattning :
The dissertation straddles the interface of mass media, social engineering and advertising in 1930s Stockholm. Its twofold objective is firstly to outline their cultural output, targeting predominantly feminine audiences. LÄS MER
-