Sökning: "documentary film"

Visar resultat 1 - 5 av 27 avhandlingar innehållade orden documentary film.

  1. 1. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

    Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

    Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER

  2. 2. Jill Bilcock : Revealing the Invisible Artist. Recognising the creative contributions of film editors to filmmaking through biographical documentary film

    Författare :Axel Grigor; Patricia FitzSimons; Nico Meissner; Joanna Callaghan; Kath Dooley; Högskolan Dalarna; []
    Nyckelord :HUMANIORA; HUMANITIES; Film Editing; Film Editor; Film Production; Filmmaking; Motion Pictures; Motion Picture Editing; Documentary; Film Art; Film History; Biography; Jill Bilcock; Australia; Hollywood; Filmklippning; Filmklippare; Filmproduktion; Film; Filmkonst; Dokumentärfilm; Biografi; Jill Bilcock; Australien; Hollywood;

    Sammanfattning : Film editing is recognised as the conceptual innovation that, at the dawn of the twentieth century, helped transform the novelty of moving images into cinema. Despite this acknowledgment, misconceptions about the art form linger. LÄS MER

  3. 3. Order in Ruins : British Society and the Media Assemblage of The World at War c. 1970-1975

    Författare :Allan Burnett; Mediehistoria; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Media history; History; Media; History; 20th Century; Media analysis; media and communication studies; Media and democracy; media and political engagement; media and politics; media and power; media and social relations; Media ecology; media ethics; Deleuze and Guattari; McLuhan; Gender history; British history; Social history; Memory studies; Nationalism; Transnational; National Identity; Second World War; Cold War; Cold War culture; European history; African history; Television; television production; television and everyday life; television history; Film and history; film as historical source material; television culture; film analysis; film archives; film archive; Oral history; Media technology; broadcasting history; 1960- och 1970-tal; 1970s; Assemblage theory; Public history; Postcolonial; war history; Military history; Holocaust memory; memory culture; history culture; British Empire; Enoch Powell; Thatcher; New Left; history of class divisions; Women s movement; Women s history; postmodernity; generational relation; generational shift; Holocaust; postwar era; Journalism and New media; Journalistic culture; journalistic ideology; journalistic roles; journalistic practices; journalistic techniques; Anglo-american; European Community; Decolonisation; Decolonization; migrational history; National identity; Communities of belonging; Globalisation; nuclear age; atomic age; Apocalyptic narrative; Apocalyptic; documentary; Documentary film; documentaries; Filmmaking; Filmmakers; Soviet history; Nazi Germany;

    Sammanfattning : This thesis studies a period of intense crisis and creativity in British media, society, and culture, when the settled outcome of the Second World War (WW2) was perceived to be disintegrating. The post-world-war order was becoming an ‘order in ruins’. LÄS MER

  4. 4. Sisters! Making Films, Doing Politics : An Exploration in Artistic Research

    Författare :Petra Bauer; Konstfack; []
    Nyckelord :HUMANIORA; HUMANITIES; Aesthetics; Art; Artistic Research; Berwick Street Film Collecitve; Camera; Cinema Action; Claire Johnston; Collectivity; Documentary Film; Ethics; feminism; film; Film Collectives; Film Production; Film Strategies; Hannah Arendt; Judith Butler; London Women’s Film Group; Political Action; Public Space; Relationality; Southall Black Sisters; Aesthetics; Art; Artistic Research; Berwick Street Film Collecitve; Camera; Cinema Action; Claire Johnston; Collectivity; Documentary Film; Ethics; feminism; film; Film Collectives; Film Production; Film Strategies; Hannah Arendt; Judith Butler; London Women’s Film Group; Political Action; Public Space; Relationality; Southall Black Sisters;

    Sammanfattning : How does film become a political act? That is the question that the artistic research project Sisters! Making Films, Doing Politics revolves around. Taking Hannah Arendt’s ideas about the constitution of the political arena as its point of departure, this dissertation reflects on the aesthetic mechanisms that underlie contemporary strategies for collective and feminist filmmaking. LÄS MER

  5. 5. Figures of time : on the phenomenology of cinema and temporality

    Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER