Sökning: "Writing in Film"

Visar resultat 6 - 10 av 28 avhandlingar innehållade orden Writing in Film.

  1. 6. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER

  2. 7. Modern Media, Modern Audiences : Mass Media and Social Engineering in the 1930s Swedish Welfare State

    Författare :Ylva Habel; Soveig Julich; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Visuell kultur; urbanitet; kvinnor; mediehistoria; reception; välfärdsstaten; Film; Filmvetenskap; filmvetenskap; Cinema Studies;

    Sammanfattning : The dissertation straddles the interface of mass media, social engineering and advertising in 1930s Stockholm. Its twofold objective is firstly to outline their cultural output, targeting predominantly feminine audiences. LÄS MER

  3. 8. Inter esse : Det skapande subjektet, Norén och Reality

    Författare :Per Zetterfalk; Sven-Eric Liedman; Suzanne Osten; Bo Florin; Maaret Koskinen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Lars Norén; Reality; artistic research; creativity; subject; writing and directing; fiction and reality; tacit knowledge; aesthetics; TV; media and art; Film; Filmvetenskap; Cinema Studies; filmvetenskap; Artistic practices; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen;

    Sammanfattning : At the centre of this dissertation is the artistic formation and, as an extension, the scientific formation. The purpose of the work is to reflect on the way from ambition to creation, to capture what about this process is unique. I have chosen two objects for my research. LÄS MER

  4. 9. Melankoliska fragment: om essäfilm och tänkande

    Författare :Patrik Eriksson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; artistic research; essay film; filmmaking; artistic filmmaking practice; cinematic way of thinking; film as thinking; work story; reflection; melancholy; Robert Burton; Magnus Bärtås; Andrei Tarkovsky; E.M. Cioran; Hannah Arendt;

    Sammanfattning : This artistic doctoral dissertation comprises the essay film Melancholy Fragments (73 min.) and the book Melancholy Fragments: On Essay Film and Thinking. In making the film I wanted to explore if and how an artistic filmmaking practice works as thinking. LÄS MER

  5. 10. GO LO GO HI : Tracing the Development of Masculine Domesticities from the Garage to the Penthouse — A Multi-Modal Exploration in Architecture, Urban Environments, Film, and the Arts

    Författare :Janek Oźmin; Catharina Gabrielsson; Victor Edman; Valéry Didelon; KTH; []
    Nyckelord :HUMANIORA; HUMANITIES; Multi-Modal; Sites of Enquiry; Masculine Domesticities; Suburban Garage; Penthouse; Architecture; The City; Film; Advertising Media; Technology; Consumption; Leisure; Real Estate; Spatial Container; Practice-Based Research; Urban Design; Stadsbyggnad;

    Sammanfattning : GO LO GO HI is a multi-modal enquiry into the relationship between masculine domesticities and the architectures of the suburban garage and penthouse apartment. The project adopts the garage and the penthouse as sites of enquiry, which means thinking through architecture as a cultural phenomenon, the agency of which includes but is not limited to spatial design, material compositions, visual representations, and historical contexts. LÄS MER