Visar resultat 1 - 5 av 66 avhandlingar innehållade ordet improvisation.
Sammanfattning : The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensembles consisting of two or three musicians who play together without any restrictions regarding style or genre and without having predetermined what is to be played or how they should play. The background to this thesis has been the author’s own free improvising, which he has pursued since 1974, and the questions that have arisen whilst music-making. LÄS MER
Sammanfattning : In the growing field of research on improvisation, it is argued that improvisation should be at the core of music education, and in many curricula improvisation is in fact emphasized. However, in general music education, as well as research, improvisation is still overlooked. LÄS MER
Sammanfattning : This thesis draws on a video ethnography of music activities in a preschool setting in Sweden. It focuses on the participants’ co-construction of music activities and on their use of semiotic and material resources to constitute and sustain these activities. LÄS MER
4. Singing in Action : An inquiry into the creative working processes and practices of classical and contemporary vocal improvisation
Sammanfattning : This dissertation explores performative perspectives on classical and contemporary vocal improvisation (CCVI) as a critical, creative tool for development of and research in vocal performance. It consists of one introductory part and five articles, with additional documentation on a homepage. LÄS MER
Sammanfattning : ABSTRACT Doctoral dissertation in musicology, artistic-creative programme, University of Gothenburg, Sweden 2010, 302 pages Author: Karin Nelson Title: Improvisation and Pedagogy through Heinrich Scheidemann’s Magnificat Settings. Language: English Department: Department of Cultural Scienses Series: Skrifter från musikvetenskap, Göteborgs universitet, Nº 96 ISBN 978-91-85974-12-2. LÄS MER