Sökning: "Writing in Film"
Visar resultat 16 - 20 av 28 avhandlingar innehållade orden Writing in Film.
16. Den stora gruvstrejken i Malmfälten : En muntlig historia
Sammanfattning : This dissertation explores how the miners’ strike in the Norrbotten ore fields 1969–70 has been made meaningful. For a long time, this strike has been a centre of debates and reflections on society, culture, and history in Sweden. LÄS MER
17. Wicked women and witches. Subversive readings of the female monster in Mexican and Argentinian horror film
Sammanfattning : This thesis accrues to the growing field of Latin American horror scholarship in relation to gender and sexuality, discussing the implications of the representation of the feminized, racialized and/or impoverished monster in relation to Mexican and Argentinian national identity discourses. The thesis looks at two distinct iterations of gendered monstrosity in Mexican and Argentinian visual culture: La Llorona and the bruja (witch), respectively. LÄS MER
18. Implementation of Flash Analog-to-Digital Converters in Silicon-on-Insulator Technology
Sammanfattning : High speed analog-to-digital converters (ADCs) used in, e.g., read channel and ultra wideband (UWB) applications are often based on a flash topology. The read channel applications is the intended application of this work, where a part of the work covers the design of two different types of 6-bit flash ADCs. LÄS MER
19. For every word has its own shadow: Sunsets, Notes From Underground, Waves
Sammanfattning : Liminality permeates this doctoral project's questions: how can an experience of the liminal exist as an artwork? What things and experiences can orient us towards affectivity and states of becoming? Lisa Tan relates such concerns to Clarice Lispector whose writing renders becoming(s) visible. Coupled with Maurice Blanchot and his literary discourse on dispossession and the outside (analogous to becoming), Tan's inquiry is critically engaged inside a moving image practice. LÄS MER
20. "Skeendet på stället" : Röster och samtidigheter i tre verk av Sara Lidman
Sammanfattning : This thesis examines how cultural encounters and asymmetrical power relationships are depicted in three works by Sara Lidman (1923–2004): Hjortronlandet (“Cloudberry Land”) from 1955, Med fem diamanter (“With Five Diamonds”) from 1964 and Samtal i Hanoi (“Conversations in Hanoi”) from 1966. They are set in three very different colonial contexts, northern Sweden in the early 20th century, Kenya in the early 1960’s and Vietnam in 1965, and take place in a time of transition when an agricultural, local way of life is challenged by a Eurocentric understanding of modernity and knowledge. LÄS MER
