Sökning: "Writing in Film"

Visar resultat 11 - 15 av 28 avhandlingar innehållade orden Writing in Film.

  1. 11. Pojkar kan visst skriva! : skrivkompetenser på nationellt prov i svenska i årskurs tre i Sverige

    Författare :Katharina Andersson; Ria Heilä-Ylikallio; Åsa Morberg; Jon Smidt; Högskolan i Gävle; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; boys; text; writing; retell; narrative and descriptive texts; genre; National Test; pojkar; text; skriva; återberätta; narrativa och deskriptiva texter; skrivkompetens; genre; nationellt prov;

    Sammanfattning : 10-year old boys are writing texts in a National Test in the spring of 2009. The aim of this study is to increase knowledge in and understanding of boys’ writing skills through description, analysis and interpretation of the texts produced by the boys in the National Test in Swedish for junior level year three, taken in Sweden in 2009. LÄS MER

  3. 12. Medier, lärande och det mediespecifika : en undersökning om den rörliga bildens plats och betydelse i ett ämnesövergripande projekt

    Författare :Maria Stam; Anders Marner; Eva Skåreus; Fredrik Lindstrand; Umeå universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; art; film; literacy; media; media education; moving images; multimodality; project-based learning; bild; film; litteracitet; medier; medieneutral; mediespecifik; multimodalitet; rörlig bild; ämnesdidaktik; ämnessamverkan; projektbaserat lärande;

    Sammanfattning : The overall purpose of this licentiate thesis is to explore how different media is considered and valued by teachers in an interdisciplinary project in which the subjects of Art and Swedish are included. In the project, The Horror Genre in Literature and Film, a variety of mediations are represented: speech, writing, still- and moving images. LÄS MER

  4. 13. Krapula : Henry Parland och romanprojektet Sönder

    Författare :Per Stam; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literature; Finland-Swedish Modernism; Quosego; Gunnar Björling; poetics; Russian Formalism; theory of prose; narratology; Marcel Proust; photography; film; Litteraturvetenskap; Literature; Litteraturvetenskap; Literature; Litteraturvetenskap;

    Sammanfattning : The subject of the dissertation is the work of Henry Parland (1908-1930) during the last two years of his life. The main focus is on the novel Broken. (about developing Velox paper) and some essays about film and poetics. LÄS MER

  5. 14. Fredrika Bremer and the Writing of America

    Författare :Laurel Ann Lofsvold; Litteraturvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; General and comparative literature; women; slavery; homes; America; Catharine M. Sedgwick; Anne C. Lynch; James Russell Lowell; Margaret Fuller; Ralph Waldo Emerson; A. J. Downing; Lydia Maria Child; Frederick Douglass; Harriet Beecher Stowe; Fredrika Bremer; literature criticism; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori;

    Sammanfattning : Hemmen i den nya verlden(1853-4) is novelist Fredrika Bremer's 3-volume travel diary in letter form, a literary account of her two years' travel in the United States and Cuba. Bremer wove, into the America she "wrote," a number of American authors and their works. Novelist Catharine Sedgwick and poet and socialite Anne C. LÄS MER

  7. 15. Ecologies of Practices and Thinking

    Författare :Elke Marhöfer; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; new materialism; film; image; matter; nonhuman; more-than-human; other-than-human; not-so-human; ecology; agriculture; otherness; storytelling; enunciation; post-context; post-history; animism; colonialism; becoming with; seeing together; lines of flight; modes; animals; plants; things; territories; multiplicities; chaos; expressive continuum; rerational aesthetics; radical empiricism; Baruch Spinoza; Gilles Deleuze; Félix Guattari; Isabelle Stengers; Donna Haraway; Anna Lowenhaupt Tsing; Brian Massumi; Danièle Huillet; Jean Marie Straub;

    Sammanfattning : How does a new materialist film practice look? To approach this question the practice-led material driven research explores dynamic ecological relations and processes of thinking and practicing. It employs an animist methodology which allows it to relate to the nonhuman as an active participant, rather than a passive object of inquiry. LÄS MER