Sökning: "Filmvetenskap"

Visar resultat 26 - 30 av 108 avhandlingar innehållade ordet Filmvetenskap.

1. 26. Den nationella stilen : studier i den svenska filmens guldålder

   Författare :Bo Florin; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; filmvetenskap; Cinema Studies;

   Sammanfattning : .... LÄS MER

3. 27. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

   Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

   Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER

4. 28. Early Discourses on Colour and Cinema : Origins, Functions, Meanings

   Författare :Eirik Frisvold Hanssen; Astrid Söderbergh Widding; Eva Jørholt; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; colour film; film history; film theory; film technology; film aesthetics; indexicality; intermediality; colour and sound; catalogue; Kinemacolor; Sergei M. Eisenstein; Film; Filmvetenskap;

   Sammanfattning : This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as specific contemporary conceptions of cinema. LÄS MER

5. 29. En fiende till civilisationen : manlighet, genusrelationer, sexualitet och rasstereotyper i svensk filmkultur under 1920-talet

   Författare :Tommy Gustafsson; Kristian Gerner; Erik Hedling; Irene Andersson; Jan Olsson; Historia; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Boyhood; Censorship; Children; Consumerism; Fatherhood; Gender relations; Love; Masculinity; Melodrama; The pluralism of film; Racism; Sexuality; Swedish film of the 1920s; New woman; Film; Filmvetenskap; History; Historia; Gender studies; Genus; Film Studies; Filmvetenskap; Historia; History; Gender Studies; Genusvetenskap; Masculinity; Gender Relations; “The Pluralism of film”; Boyhood; The New Woman; Youth Culture; Boyish Masculinity; Queer; Sexuality; Popularity; Stereotypes; Racism; Race; Modern Masculinity; Melodrama; Love; Gösta Ekman; Gender; Film Culture; Fatherhood; Ethnicity; Consumerism; Children; Class; Homosexuality; Emotions; Consumer Culture; Censorship; Swedish Film of the 1920s;

   Sammanfattning : The setting for this study is Swedish film culture of the 1920s, which has been studied with a focus on representations of masculinity and gender relations according to four themes: 1) children and youth 2) fatherhood and love 3) sexuality and popularity 4) ethnicity and racial stereotyping.      The rise of new consumer culture in the first decades of the 20th century created turmoil between traditional and modern values, not least when it came to conceptions of gender. LÄS MER

7. 30. Det figurala och den rörliga bilden : Om estetik, materialitet och medieteknologi hos Jean Epstein, Bill Viola och Artintact

   Författare :Karl Hansson; Astrid Söderbergh Widding; Dan Karlholm; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Estetik; visuell kultur; filmteori; videokonst; digitala medier; det figurala; haptisk visualitet; Jean Epstein; Bill Viola; Artintact; Film; Filmvetenskap;

   Sammanfattning : This dissertation is a comparative study of the concept of the figural in relation to moving images with three case studies on filmmaker and writer Jean Epstein (1897-1953), video artist Bill Viola (1951-) and the cd-rom art magazine Artintact 1-5 (1994-1999). The conceptually focused case studies also enable a comparison between the different media technologies of film, video and new digital media. LÄS MER