Sökning: "Filmvetenskap"

Visar resultat 21 - 25 av 107 avhandlingar innehållade ordet Filmvetenskap.

  1. 21. Amerikanism, bolsjevism och korta kjolar : filmen och dess publik i Sverige under 1920-talet

    Författare :Mats Björkin; Lars Gustaf Andersson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines the relation between discourses on Americanisation and the instituting processes of the film industry in Sweden during the 1920s. As the title indicates, Americanism, the threat of the Russian Revolution, as well as gender politics, are crucial for an understanding of the post-World War I period. LÄS MER

  3. 22. A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science

    Författare :Sofia Bull; Anu Koivunen; Karen Lury; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; CSI; television studies; television history; genre; crime drama; forensic science; representation of science; post-genomic; genetic imaginary; cultural forum; structure of feeling; materiality; complexity; identity; body; kinship; affect; filmvetenskap; Cinema Studies;

    Sammanfattning : This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. LÄS MER

  4. 23. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

  5. 24. Apparaturbetraktelser : metafilmiska aspekter på Jan Troells Här har du ditt liv

    Författare :Jon Dunås; Lars Gustaf Andersson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Jan Troell; metafilm; filmanalyser; filmhistoria; Sverige; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation deals with the Swedish film director Jan Troell (b. 1931) and his first feature film Here Is Your Life (Här har du ditt liv, 1966). As a filmmaker, Troell stands out, in also having worked as cinematographer, editor and sound editor of his own films almost without exception throughout his career. LÄS MER

  7. 25. Gallery Experience : Viewers, Screens and the Space In-Between in Contemporary Installation Art

    Författare :Olivia Eriksson; Malin Wahlberg; Anu Koivunen; Ilona Hongisto; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; gallery film; film installation; artists film; archival art; film experience; film phenomenology; embodied experience; relational aesthetics; participation; site specificity; Olafur Eliasson; Fiona Tan; Akram Zaatari; Richard Mosse; Jesper Just; filmvetenskap; Cinema Studies;

    Sammanfattning : This dissertation explores gallery experience as an embodied and site-specific occurrence. Using an interdisciplinary approach that bridges art historical research with film theoretical perspectives, it offers contextualized, in-depth analyses of a limited number of contemporary installation works exhibited in Scandinavia during 2014–2016. LÄS MER