Avancerad sökning

Visar resultat 1 - 5 av 236 avhandlingar som matchar ovanstående sökkriterier.

1. 1. Kunst og nasjon : Brytninger i kunstsynet i Norge 1750–1905

   Författare :Randi C. Solheim; Anna Källén; Peter Gillgren; Jan von Bonsdorff; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Art history; art theory; historiography; close reading; longue durée; nation-building; nationalism; Norway; 18th century; 19th century; konstvetenskap; Art History;

   Sammanfattning : The thesis examines the art theoretical discourse, in Norway, from the mid eighteenth century up to 1905. The objective of the study has been to identify and analyse the most important art theoretical positions in treatises and other programmatic texts and works of art. LÄS MER

3. 2. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World

   Författare :Charlotta Nordström; Tomas Björk; Maria Görts; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; The Fürstenberg Gallery; The Fürstenberg Art Collection; Pontus Fürstenberg; Göthilda Fürstenberg; Gothenburg art ; Swedish Art; Nineteenth-Century Art; Patronage; Art Collection; The Opponents; Collecting Practices; Exhibition Practices; Blanch’s Art Salon; konstvetenskap; Art History;

   Sammanfattning : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. LÄS MER

4. 3. Flow and Friction : On the Tactical Potential of Interfacing with Glitch Art

   Författare :Vendela Grundell; Anna Dahlgren; Mårten Snickare; Max Liljefors; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Glitch; Contemporary Art; Photography; Digital Media; Interface; Internet; Systems Aesthetics; Network Society; Tactics; Phenomenology; Spectatorship; Viewer; Experience; Rosa Menkman; Phillip Stearns; Evan Meaney; konstvetenskap; Art History;

   Sammanfattning : This thesis aims to analyze how interfacing affects viewer experiences and viewer positions, and how glitch art online makes that effect visible. Glitch art is concerned with disruptions in the systems that govern how for instance photography is produced, circulated and displayed in a digital image flow. LÄS MER

5. 4. The code of Concord : Emerson's search for universal laws

   Författare :Anders Hallengren; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; Ralph Waldo Emerson 1803-1882 ; natural law; ethics; aesthetics; esthetics; politics; USA; ethics and physics; laws of nature; laws of society; laws of art; American literature; American philosophy; American history; legal philosophy; constitutional law; human rights; rule of law; Literature; Litteraturvetenskap; Theoretical philosophy; Teoretisk filosofi; Practical philosophy; Praktisk filosofi; Public law; Offentlig rätt; Other law; Övrig rätt; Theory of science; Vetenskapsteori; History of science and ideas; Idé- o lärdomshistoria; Political science; Statsvetenskap; Literature; litteraturvetenskap; praktisk filosofi; Practical Philosophy;

   Sammanfattning : The purpose of this work is to detect a pattern: the concordance of Ethics and Aesthetics, Poetics and Politics in the most influential American thinker of the nineteenth century. It is an attempt to trace a basic concept of the Emersonian transcendentalist doctrine, its development, its philosophical meaning and practical implications. LÄS MER

7. 5. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950

   Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;

   Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER