Sökning: "Exhibition Practices"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden Exhibition Practices.

  1. 1. Remembering and Forgetting in the Archive : Instituting ‘Group Material’ (1979–1996)

    Författare :Julie Ault; Konsthögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; timeline; time frame; retrospective; Felix Gonzalez-Torres; recollection; alternative arts network; AIDS Timeline; publishing; microhistory; interpretation; instituting; archive; archiving; Corita; book as exhibition; chronicle; collaboration; chronology; collective memory; contextualization; curating; ephemeral art practices; exhibition making; exhibition pedagogy; Group Material; historical representation; history writing; historicization;

    Sammanfattning : My PhD submission is made up of a constellation of three elements that form a body of textual material / theory and practice event / exhibition. (1) A dimension of critical writing or dissertation that has two parts: (a) Retrospective / Prospective: Activating the Archive, September 1, 2010, and (b) an accretion of further analysis, Archive, Archived, Archiving, September 1, 2011. LÄS MER

  3. 2. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World

    Författare :Charlotta Nordström; Tomas Björk; Maria Görts; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; The Fürstenberg Gallery; The Fürstenberg Art Collection; Pontus Fürstenberg; Göthilda Fürstenberg; Gothenburg art ; Swedish Art; Nineteenth-Century Art; Patronage; Art Collection; The Opponents; Collecting Practices; Exhibition Practices; Blanch’s Art Salon; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. LÄS MER

  4. 3. Moving through Choreography – Curating Choreography as an Artistic Practice

    Författare :Marie Fahlin; André Lepecki; Cristina Caprioli; Joanna Sandell; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Choreography; curating; dressage; centaur; centauring; exhibition; exhibitor; articulation; affect; transposition; composition; transcarnation; touch; tack; aids; terminology; ‘found practice’; ‘found choreography’; expanded choreography; one; oneness; manège; poetry; intimacy; listening; entanglement; embodiment; discursivity; diagram; performing; preforming; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Sammanfattning : The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Artistic Practice, has been to consider choreography and curating in their similarities and differences. Thus, at different phases of the working process, choreography and curating were treated as one and the same artistic practice; while, in other moments, as practices that are distinct from each other. LÄS MER

  5. 4. Former av politik : Tre utställningssituationer på Moderna Museet 1998-2008

    Författare :Anna Lundström; Margaretha Rossholm Lagerlöf; Charlotte Bydler; Anna Tellgren; Eva Zetterman; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art exhibition; art institution; the political; implied spectator; reception aesthetics; Moderna Museet; 1990s; 2000s; contemporary art; new institutionalism; Jacques Rancière; Mieke Bal; Pontus Hultén Study Gallery; Moderna Museet Projekt; Janet Cardiff; konstvetenskap; Art History;

    Sammanfattning : This study examines the concepts of art, politics and art institution departing from three cases of exhibition situations at Moderna Museet in Stockholm, 1998–2008. The cases are considered in relation to different aspects of the museum’s identity as an art institution. LÄS MER

  7. 5. Participatory Design in Museums : Visitor-Oriented Perspectives on Exhibition Design

    Författare :Gustav Taxén; Yngve Sundblad; Liam Bannon; KTH; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; Människa-dator-interaktion; Museums; Participtory Design; Technology; Människa-dator-interaktion; Information technology; Informationsteknologi;

    Sammanfattning : This thesis is about the design of technology for museum exhibitions. More specifically, it explores different ways in which visitors can contribute to museum exhibition design and how technology can support learning-related activities within museum exhibitions. LÄS MER