Sökning: "Art film"

Visar resultat 1 - 5 av 120 avhandlingar innehållade orden Art film.

  1. 1. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950

    Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;

    Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER

  3. 2. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg

    Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

    Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER

  4. 3. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

    Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

    Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER

  5. 4. Hellraiser : om Clive Barkers film

    Författare :Anna Arnman; Lars Gustaf Andersson; Bo Florin; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Monstrous; Aesthetics; Cenobites; Sexuality; Family; House; Religion; 80´s horror films; Humanities; Humaniora; Konstvetenskap; Art History; Allmän och jämförande litteraturvetenskap; Genre; General and comparative literature; Horror; Body; Horror; Film; Film Studies;

    Sammanfattning : In this dissertation I will discuss horror film as a genre and study how Hellraiser relates to its themes and problems. First I describe the production of the film and after that I present Clive Barker - his background, authorship, film-making and artwork. Next I study the problems of the genre and the different ways in which this genre is defined. LÄS MER

  7. 5. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER