Sökning: "Animation film"

Visar resultat 1 - 5 av 10 avhandlingar innehållade orden Animation film.

1. 1. Musicalized Characters : A study of music, multimodality, and the empiric child perspective on mainstream animation

   Författare :Signe Kjaer Jensen; Jørgen Bruhn; Kirsten Drotner; Anahid Kassabian; Birger Langkjær; Linnéuniversitetet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Animation; music; children; interview; reception; film music; characters; audiences; multimodality; Musikvetenskap; Musicology; Film Studies; Filmvetenskap; Media and Communication Science; Medie- och kommunikationsvetenskap;

   Sammanfattning : This thesis is an audience reception study of film music and animation film. It focuses on the musical construction of characters, looking at how music becomes meaningful in film and how this meaning becomes part of child audiences' interpretation of filmic characters. LÄS MER

3. 2. Gallery Experience : Viewers, Screens and the Space In-Between in Contemporary Installation Art

   Författare :Olivia Eriksson; Malin Wahlberg; Anu Koivunen; Ilona Hongisto; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; gallery film; film installation; artists film; archival art; film experience; film phenomenology; embodied experience; relational aesthetics; participation; site specificity; Olafur Eliasson; Fiona Tan; Akram Zaatari; Richard Mosse; Jesper Just; filmvetenskap; Cinema Studies;

   Sammanfattning : This dissertation explores gallery experience as an embodied and site-specific occurrence. Using an interdisciplinary approach that bridges art historical research with film theoretical perspectives, it offers contextualized, in-depth analyses of a limited number of contemporary installation works exhibited in Scandinavia during 2014–2016. LÄS MER

4. 3. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

   Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

   Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER

5. 4. Crafting Movement : Moving Image Collections for Interaction Design

   Författare :Jinyi Wang; Oskar Juhlin; Mark Blythe; Stockholms universitet; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; HUMANIORA; HUMANITIES; Human-Computer Interaction; Interaction Design; Moving Image; Film; Video; Animation; Design Mediation; Computer and Systems Sciences; data- och systemvetenskap;

   Sammanfattning : This thesis conceptualises, investigates, and reflects on the moving image design space in Human-Computer Interaction (HCI). Motivated by the increasing number of videos, films, and animations produced in the field, the thesis recognizes moving image making as a designerly way of inquiry across research and practice, and argues for the importance of moving image as a research topic in interaction design. LÄS MER

7. 5. Den rörliga skämtteckningen. Stil, transformation och kontext

   Författare :Midhat Ajanovic; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Filmvetenskap; animerad film;

   Sammanfattning : Abstract THE MOVING CARTOON Style, Transformation and Context The main objective of this study is to identify a special type of film; the moving cartoon, which is a subgenre of drawn animation based on the visual humour developed in caricature and captionless cartoons. The basic tools of cartoon expression are pictorial incongruities where the humour arises from mismatches between elements within the image of a certain recognizable situation. LÄS MER