Sökning: "archival art"
Visar resultat 1 - 5 av 21 avhandlingar innehållade orden archival art.
1. The Archive Art Phenomenon : History and Critique at the Turn of the Twenty-First Century
Sammanfattning : This dissertation investigates the relationship between art and archive at the turn of the twenty-first century. The object of study is the phenomenon of archive art, understood as a combination of theories of the archive, artworks, and different kinds of texts (catalogues, scholarly articles, critical essays, etc. LÄS MER
2. Könsskillnadens estetik? Om konst och konstskapande i svensk hemslöjd på 1920- och 1990-talen
Sammanfattning : The main objective of this PhD thesis, "An Aesthetics of Sexual Difference? On Art and Artistry in Swedish Handicraft of the 1920s and 1990s", is to investigate the field of handicraft in relation to a wider field of cultural production. Its aim is to contribute to a mapping of interrelated outlines of handicraft and art based on empirical studies of artistic creation in two local Swedish handicraft organizations during the modernism of the 1920s and the postmodernism of the 1990s. LÄS MER
3. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World
Sammanfattning : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. LÄS MER
4. Coloured Universe and the Russian Avant-Garde : Matiushin on Colour Vision in Stalin's Russia, 1932
Sammanfattning : Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. LÄS MER
5. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s
Sammanfattning : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. LÄS MER
