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Visar resultat 1 - 5 av 9 avhandlingar som matchar ovanstående sökkriterier.

1. 1. Il volto del poeta dietro la maschera dell'architetto : Gli allestimenti ibseniani di Ingmar Bergman

   Författare :Antonello Motta; Sven Åke Heed; Franco Perrelli; Bent Holm; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Ingmar Bergman; Olof Molander; Alf Sjöberg; Torsten Hammarén; Hans Jacob Nilsen; Henrik Ibsen; Dramaten; Swedish theatre tradition; autobiography; Theatre; Teatervetenskap; teatervetenskap; Theatre Studies;

   Sammanfattning : This study deals with Ingmar Bergman’s stage productions of Ibsen’s plays. Ingmar Bergman is well known for having created a new way of interpreting Ibsen in Sweden. LÄS MER

3. 2. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

   Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

   Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

4. 3. Spel och speglingar : en studie i Ingmar Bergmans filmiska estetik

   Författare :Maaret Koskinen; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Bergman; Ingmar; 1918-2007.;

   Sammanfattning : .... LÄS MER

5. 4. Avstånd - Närhet. Ingmar Bergmans Vintersagan

   Författare :Rikard Loman; Litteraturvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; Theater theory and history; Directors theatre; Performance analysis; International Shakespeare; Carl Jonas Love Almqvist; William Shakespeare; Swedish 20th century theatre; Ingmar Bergman; Teatervetenskap;

   Sammanfattning : This dissertation investigates the directorial changes brought about in Vintersagan, Ingmar Bergman's 1994 production of William Shakespeare's late play The Winter's Tale (1610-11) at Dramaten in Stockholm, and put forth a contribution to a more nuanced understanding of Bergman as a theatre director. Foreignness and familiarity, remoteness and proximity are the dichotomies with which his theatrical work is best described. LÄS MER

7. 5. Scenography in Action : Space, Time and Movement in Theatre Productions by Ingmar Bergman

   Författare :Magdalena Holdar; Margaretha Rossholm-Lagerlöf; Hans Hayden; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; scenography; set design; theatre design; performance studies; scenography analysis; theatre space; Ingmar Bergman; Art; Konstvetenskap;

   Sammanfattning : Developments in technology and new aesthetic idioms in the past decades have changed the preconditions for the scenographer’s work in the theatre. Therefore, it has become problematic indeed to describe scenography as the sum of costume and set, although this continues to be the common definition of the concept. LÄS MER