Sökning: "Magdalena Holdar"

Hittade 3 avhandlingar innehållade orden Magdalena Holdar.

  1. 1. Scenography in Action : Space, Time and Movement in Theatre Productions by Ingmar Bergman

    Författare :Magdalena Holdar; Margaretha Rossholm-Lagerlöf; Hans Hayden; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; scenography; set design; theatre design; performance studies; scenography analysis; theatre space; Ingmar Bergman; Art; Konstvetenskap;

    Sammanfattning : Developments in technology and new aesthetic idioms in the past decades have changed the preconditions for the scenographer’s work in the theatre. Therefore, it has become problematic indeed to describe scenography as the sum of costume and set, although this continues to be the common definition of the concept. LÄS MER

  3. 2. The G-Word : Virtuosity and Violation, Negotiating and Transforming graffiti

    Författare :Jacob Kimvall; Magdalena Holdar; Hans Hayden; Håkan Nilsson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Graffiti; Graffiti Art; Street Art; Berlin Wall; Zero Tolerance; Hip-Hop; Art Institutions; Nolltolerans; Art History; Visual Analysis; konstvetenskap; Art History;

    Sammanfattning : Contemporary public discussions on graffiti are characterized by co-existence of contradictory claims. On the one hand graffiti is described as vandalism, and on the other as an artistic movement. LÄS MER

  4. 3. Framträdanden : Performativitetsteoretiska tolkningar av Tadeusz Kantors konstnärskap

    Författare :Camilla Larsson; Katarina Wadstein MacLeod; Annika Öhrner; Magdalena Holdar; Södertörns högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Tadeusz Kantor; performative meaning; mediality as material; sensorial and spatiotemporal affects; intermediality; art exhibition; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Tadeusz Kantor; performativ mening; medialitet; materialitet; intermedialitet; konstutställningar; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für Moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;

    Sammanfattning : The subject of this dissertation is the art of the Polish theatre director, set designer, and visual artist Tadeusz Kantor (1915–1990) and its inherent width of artistic expressions. The aim is to contribute with new interpretations that add to previous research that primarily has studied the body of work from the perspectives of the artist’s intention and biography, and divided his artistic work between visual art and theatre. LÄS MER