Sökning: "Theater theory and history"
Visar resultat 1 - 5 av 8 avhandlingar innehållade orden Theater theory and history.
1. Excess och aktionskonst : en semiotisk analys av Hermann Nitschs Das 6-Tage-Spiel med betoning på första dagens Mittagsfinale
Sammanfattning : The subject for this dissertation is the Austrian artist Hermann Nitsch’s Das 6-Tage-Spiel (1998). The purpose is to examine in what way Das 6-Tage-Spiel, as part of the orgien mysterien theater (hereafter o. m. LÄS MER
2. På samma scen. Om samarbete mellan amatör- och yrkesteater. Exemplet Huskvarna
Sammanfattning : On the same stage is a case study showing the co-operation between amateurs and professionals in a play called Bara tusen korta år (Just a Thousand Short Years) by Alf Henrikson (1905-1995). Performances were given in the summers of 1994 ? 1998 in Huskvarna. LÄS MER
3. Dramatikern Stagnelius
Sammanfattning : The dissertation concerns the dramatic works of Erik Johan Stagnelius (1793–1823) and the status of drama in Swedish Romanticism. Stagnelius, who is considered one of the main representatives of literary Romanticism in Sweden, has however in the twentieth century been acclaimed primarily for his lyrical writings. LÄS MER
4. Avstånd - Närhet. Ingmar Bergmans Vintersagan
Sammanfattning : This dissertation investigates the directorial changes brought about in Vintersagan, Ingmar Bergman's 1994 production of William Shakespeare's late play The Winter's Tale (1610-11) at Dramaten in Stockholm, and put forth a contribution to a more nuanced understanding of Bergman as a theatre director. Foreignness and familiarity, remoteness and proximity are the dichotomies with which his theatrical work is best described. LÄS MER
5. Hamlet the Sign : Russian Translations of Hamlet and Literary Canon Formation
Sammanfattning : This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon formation. LÄS MER