Sökning: "18th-century music history"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden 18th-century music history.

  1. 1. En patriotisk drömvärld Musik, nationalism och genus under det långa 1800-talet

    Detta är en avhandling från Uppsala : Acta Universitatis Upsaliensis

    Författare :Hanna Enefalk; Uppsala universitet.; [2008]
    Nyckelord :HUMANIORA; HUMANITIES; History; Sweden; Norway; Finland; 1780–1920; nationalism; gender; music; middle class; intellectuals; masculinity; university history; military history; HUMANITIES and RELIGION History and philosophy subjects History subjects History; HUMANIORA och RELIGIONSVETENSKAP Historisk-filosofiska ämnen Historieämnen Historia;

    Sammanfattning : The subject of this thesis is Scandinavian nationalism from the late 18th century to ca 1920. The focus lies on that particular aspect of nationalism that was at the same time the most mundane and the most enigmatic: the ever-present depicting of the nation in words, pictures and music, which in effect created a parallel universe, a patriotic dreamland. LÄS MER

  2. 2. Le respect de la tradition Om den franska flöjtkonsten: dess lärande, hantverk och estetik i ett hermeneutiskt perspektiv

    Detta är en avhandling från Malmö Academy of Music, Lund University

    Författare :Anders Ljungar-Chapelon; Lund University.; Lunds universitet.; [2008]
    Nyckelord :HUMANIORA; HUMANITIES; technical mastery; virtuosity.; teaching methods; spontaneity; art; Keywords: Aesthetics; automaieutics; coding; flute; education; flute playing; flute teaching; flute tutors; teaching in group; imitation; individual teaching; interpretation; intuition; instrumental skills; involuntary memory; learning; maieutics; mimesis; mediating tools; music; practice; musical expression;

    Sammanfattning : ABSTRACT The present study describes topics related to music education, and the education of flautists, primarily on a professional level, covering a period from early 18th Century up to the early 21st Century within the French flute tradition. Further related areas of importance are concepts such as intuition, imitation, mimeses and maieutics and their relation to a flautist’s learning and teaching. LÄS MER

  3. 3. Världsmaskinen. Emanuel Swedenborgs naturfilosofi

    Detta är en avhandling från Bokförlaget Nya Doxa

    Författare :David Dunér; Lund University.; Lunds universitet.; [2004]
    Nyckelord :HUMANIORA; HUMANITIES; Christopher Polhem; Charles XII; hydrodynamics; technology; optics; acoustics; mechanics; space; theology; number systems; neurology; iatromechanics; body and soul; infinity; mineralogy; cosmology; matter theory; perception; analogy; metaphors; cognition; 18th century Swedish history; philosophy of science; philosophy of religion; mechanical philosophy; philosophy; geometry; mathematics; history of science; Emanuel Swedenborg 1688–1772 ; natural philosophy; History of philosophy; history of ideas; Filosofins historia; idéhistoria; History of science; Vetenskapshistoria;

    Sammanfattning : The Swedish natural philosopher Emanuel Swedenborg (1688–1772) thought in his early scientific career that the world was like a gigantic machine, following the laws of mechanics and geometry. The work presented here is a study of his mechanistic worldview and metaphorical way of thinking up to the year 1734, examining most of his fields of interest, from geometry and metaphysics to technology and mining engineering. LÄS MER

  4. 4. Shaping the nation with song Johann Friedrich Reichardt and the German cultural identity

    Detta är en avhandling från Stockholm : Department of Culture and Aesthetics, Stockholm University

    Författare :Mårten Nehrfors Hultén; Stockholms universitet.; [2018]
    Nyckelord :HUMANIORA; HUMANITIES; Johann Friedrich Reichardt; nationalism; lied; education; German cultural identity; expressive community; Herder; Rousseau; 18th-century music history; Volkston; Musicology; musikvetenskap;

    Sammanfattning : The primary aim of this dissertation is to study the nationalistic worldview as it emerged in the German lands in the second half of the eighteenth century . The research focuses on how this influenced the artistic practices of Prussian composer, writer and court Kapellmeister Johann Friedrich Reichardt (1752–1814), and likewise how Reichardt’s activities influenced and formed this field. LÄS MER

  5. 5. Glucks Reformopern in der Gustavianischen Epoche : Eine Repertoirestudie im Kontext europäischer Hoftheater in der zweiten Hälfte des 18.Jahrhunderts

    Detta är en avhandling från Uppsala : Acta Universitatis Upsaliensis

    Författare :Martina Sperling; Uppsala universitet.; [2004]
    Nyckelord :HUMANIORA; HUMANITIES; Musicology; Sweden; Gustavian Opera; 18th century opera history; first night opera-repertoire; European Court theatres; Christoph Willibald Gluck; reform-operas; Musikvetenskap; HUMANITIES and RELIGION Aesthetic subjects Music; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Musikvetenskap;

    Sammanfattning : This thesis is to be understood as an analysis in which the first-night opera repertoires at four European court-theatres are discussed and compared during a period of approximately twenty years (from 1771 to 1792) corresponding to the rule of Gustav III of Sweden.The study focuses on Christoph Willibald Gluck's reform-operas Orfeo ed Euridice, Alceste, Iphigénie en Aulide, Iphigénie en Tauride and Armide, the same five Gluck-operas which after Gustav III had had them introduced at his newly-founded Royal Opera came to constitute an essential part of the Gustavian Opera's repertoire. LÄS MER