Sökning: "Film perception"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden Film perception.

  1. 1. The Coming of Sound Film in Sweden 1928-1932 : New and Old Technologies

    Författare :Christopher Natzén; Maaret Koskinen; Bo Florin; Kevin Donnelly; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; coming of sound film; formative music; cinema in the 1920s; Sweden; intermediality; cinema musicians; Svensk Filmindustri; trade press; cinema as event; internal logic of perception; external logic of perception; advertisement; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines the coming of sound film in Sweden during the years 1928–1932, and the reception of mechanically recorded sounds both in the trade press and among audiences. The novelty of sound film opened up for a negotiation of the perception of sound and image, as it made visible the film medium’s technological construction, before this visibility was once more absorbed by the cinematic discourse. LÄS MER

  3. 2. Figures of time : on the phenomenology of cinema and temporality

    Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER

  4. 3. Picturing Dissolving Views : August Strindberg and the Visual Media of His Age

    Författare :Vreni Hockenjos; Astrid Söderbergh-Widding; Stephan Michael Schröder; Sara Danius; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; media history; 1870–1912; visual culture; media in literature; Sweden; early cinema; magic lantern; panorama; instantaneous photography; graphic reproduction; theatre; science; perception; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : The subject of this study is August Strindberg’s interaction with the visual media of his day. Its dual aim is to examine Strindberg’s work in the light of media history and to allow Strindberg’s work in turn to illuminate the media history of the fin de siècle. LÄS MER

  5. 4. Textmedierade virtuella världar : Narration, perception och kognition

    Författare :Ulf Pettersson; Lars Elleström; Paul Tenngart; Linnéuniversitetet; []
    Nyckelord :HUMANIORA; HUMANITIES; intermediality; virtual worlds; possible worlds; fictional worlds; storyworlds; reader response; semiotics; Gestalt psychology; cognitive linguistics; cognitive psychology; cognitive poetics; reading process; mental models; situation models; schemata; scripts; narratology; diegetic levels; focalization; transactional theory; iconicity; immersion; aesthetic illusion; gaps; concretization; mental places; integration network models; blending; conceptual metaphors; Intermedialitet; läsprocess; mentala bilder; mentala modeller; möjliga världar; fiktionsvärldar; virtuella världar; mentala platser; semiotik; kognitionsforskning; kognitiv semantik; kognitiv lingvistik; kognitiv poetik; narratologi; fokalisering; diegetiska nivåer; luckor; schemata; scripts; estetisk illusion; ikonicitet;

    Sammanfattning : This thesis synthezises theories from intermedia studies, semiotics, Gestalt psychology, cognitive linguistics, cognitive psychology, cognitive poetics, reader response criticism, narratology and possible worlds-theories adjusted to literary studies. The aim is to provide a transdisciplinary explanatory model of the transaction between text and reader during the reading process resulting in the reader experiencing a mental, virtual world. LÄS MER

  7. 5. Aesthetic Experiences of Presence : Case Studies in Film Exhibition, 1896-1898

    Författare :Gert Jan Harkema; Jan Olsson; John Fullerton; Tom Gunning; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Film history; media history; early cinema; film experience; 19th century; aesthetics; presence; intermediality; phenomenology; the Netherlands; Chicago; modernity; fairground; vaudeville; Aladdin; Henri Grünkorn; filmvetenskap; Cinema Studies;

    Sammanfattning : This study investigates viewing experiences that came with the introduction of cinema. Merging (film) history with aesthetic theory, this dissertation entails historically informed theoretical reconstructions of viewing experiences between 1896 and 1898. LÄS MER