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Visar resultat 1 - 5 av 146 avhandlingar som matchar ovanstående sökkriterier.

1. 1. Gregor Paulsson och den konsthistoriska tolkningens problem

   Författare :Hans Hayden (Pettersson); Anders Åman; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Art history; art criticism; historiography; creativity; experimental aesthetics; history of interpretation; psychology of art; social history of art; sociology of art; style; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

   Sammanfattning : The core of this thesis is a critical reading of the Swedish art historian Gregor Paulsson's (1889-1977) method of historical interpretation. Initially; Paulsson developed his scholary perspectivefrom the tradition of formalist aesthetics dominating Swedish art history writing in thebeginning of the 20th century. LÄS MER

3. 2. Könsskillnadens estetik? Om konst och konstskapande i svensk hemslöjd på 1920- och 1990-talen

   Författare :Johanna Rosenqvist; Anna Lena Lindberg; Jorunn Veiteberg; Avdelningen för konsthistoria och visuella studier; []
   Nyckelord :HUMANIORA; HUMANITIES; Handicraft; Art history; feminist art theory; Konsthistoria; Aesthetics; Art History; Konstvetenskap; fields of art; Folk art; ornament; Arts and Crafts; Modernism; Post modernism; textile art; Sloyd; The National Association of Swedish Handicraft Societies; Estetik; handdicraft; Art;

   Sammanfattning : The main objective of this PhD thesis, "An Aesthetics of Sexual Difference? On Art and Artistry in Swedish Handicraft of the 1920s and 1990s", is to investigate the field of handicraft in relation to a wider field of cultural production. Its aim is to contribute to a mapping of interrelated outlines of handicraft and art based on empirical studies of artistic creation in two local Swedish handicraft organizations during the modernism of the 1920s and the postmodernism of the 1990s. LÄS MER

4. 3. The Archive Art Phenomenon : History and Critique at the Turn of the Twenty-First Century

   Författare :Sara Callahan; Anna Dahlgren; Dan Karlholm; Anna Orrghen; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; archival art; archival turn; archive art; contemporary art; critical paradigm; the Institutional Theory of Art; Institutional Critique; parafiction; postcritique; presentism; travelling concepts; The Atlas Group; Arthur Danto; Jacques Derrida; Michel Foucault; Joachim Koester; Zoe Leonard; Michael Maranda; Walid Raad; Raqs Media Collective; Ed Ruscha; Fred Wilson; konstvetenskap; Art History;

   Sammanfattning : This dissertation investigates the relationship between art and archive at the turn of the twenty-first century. The object of study is the phenomenon of archive art, understood as a combination of theories of the archive, artworks, and different kinds of texts (catalogues, scholarly articles, critical essays, etc. LÄS MER

5. 4. Burkkänslan : surrealism i Christer Strömholms fotografi : en undersökning med semiotisk metod

   Författare :Anders Marner; Roland Spolander; Henning Hansen; Umeå universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Art history; semiotics; cultural semiotics; visual semiotics; photography; semiotics of photography; surrealism; surrealist photography; rhetoric; photographic rhetoric; Art; Konstvetenskap; konstvetenskap; History Of Art;

   Sammanfattning : This dissertation is mainly concerned with the photography of Christer Strömholm. In studying his work semiotics is used as a method in analysing the rhetoric of his photographs and their relations to the photographic world, the artworld and the lifeworld. LÄS MER

7. 5. Framträdanden : Performativitetsteoretiska tolkningar av Tadeusz Kantors konstnärskap

   Författare :Camilla Larsson; Katarina Wadstein MacLeod; Annika Öhrner; Magdalena Holdar; Södertörns högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; Tadeusz Kantor; performative meaning; mediality as material; sensorial and spatiotemporal affects; intermediality; art exhibition; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Tadeusz Kantor; performativ mening; medialitet; materialitet; intermedialitet; konstutställningar; W.J.T. Mitchell; Mieke Bal; Kulturhuset i Stockholm; Verlag für Moderne Kunst Nürnberg; Migros Museum für Gegenwartskunst Zürich; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;

   Sammanfattning : The subject of this dissertation is the art of the Polish theatre director, set designer, and visual artist Tadeusz Kantor (1915–1990) and its inherent width of artistic expressions. The aim is to contribute with new interpretations that add to previous research that primarily has studied the body of work from the perspectives of the artist’s intention and biography, and divided his artistic work between visual art and theatre. LÄS MER