Sökning: "group theatre"

Visar resultat 6 - 10 av 30 avhandlingar innehållade orden group theatre.

  1. 6. Barns teaterskapande : En ämnesdidaktisk studie av drama och teater i kulturskolan

    Författare :Anna Johansson; Ulrika von Schantz; Eva Österlind; Pernilla Ahlstrand; Anna-Lena Østern; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Drama Education; children’s theatre making; School of Arts; tacit knowing; ethnography; learning study; phenomenography; ämnesdidaktik med inriktning mot de estetiska ämnenas didaktik; Teaching and Learning with Specialisation in the Arts Education;

    Sammanfattning : The subject of this thesis is children’s theatre making in the Swedish School of Arts (Kulturskolan), which involves the creating work that children do on their own when they are asked to craft dramatic scenes without relying on a script or a story. Despite the fact that this is a common way of producing theatre in the Swedish School of Arts, little research has been done on the collective process when it is controlled by the children themselves. LÄS MER

  2. 7. Sagan om Unga Teatern i Malmö 1970-92

    Författare :Gudrun Milekic; Litteraturvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; General and comparative literature; Teatervetenskap; Dramatic art; Rhizomatic structure; Avantgardism; Post-modern Theatre; Modern English Drama; Theatrical Transformation; Bruno Bettelheim; Myths and Fairy Tales; Young Peoples Theatre; Children s Theatre; literature criticism; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori;

    Sammanfattning : This dissertation investigates whether Unga Teatern, a theatre group for children and youth at Malmö City Theatre, had an aesthetic profile of its own. It focuses on three sections: the theme of fairy tales and myths under the artistic direction of Ronnie Hallgren (19977-83), his staging of English plays (1982 -84) and the avantgarde production for children and youth under the direction of Karin Parrot (1990-92). LÄS MER

  3. 8. Käket & Moralen : teatersällskapet Proteus/Mercurius från studentteater till länsteater

    Författare :Sara Granath; William Satuer; Margareta Wirmark; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; kulturpolitik; fri teatergrupp; teaterfält; studentteater; länsteater; Theatre; teatervetenskap;

    Sammanfattning : The aim of this dissertation is to study the development of a so called free theatre group in the south of Sweden. This group, here called Proteus/Mercurius, started out as a travelling amateur theatre, emanating from the Student Theatre of Lund, in 1965, and waas finally established as the regional theatre of the county of Skaraborg, in 1988. LÄS MER

  4. 9. Teater och utvecklingsstörning : En studie av Ållateatern

    Författare :Lennart Sauer; Stina Johansson; Umeå universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Social service; Intellectual disabilities; Theatre; Social care; Deviance Normality; Ambivalence; Disability culture; Socialt arbete; Social work; Socialt arbete;

    Sammanfattning : This dissertation is an inductive, qualitative study of a theatre programme with persons with intellectual disabilities. The aims of the dissertation were: • to explore the experiences had by the actors as expressed through their descriptions, images and narratives, • to explore the context in which these descriptions, images and narratives take place and, • to conceptualise the experiences had by the actors. LÄS MER

  5. 10. To mourn and resist stigma : Narration, meaning-making and self-formation after a parent’s suicide

    Författare :Anneli Silvén Hagström; Margareta Hydén; Ulla Forinder; Robert Neimeyer; Linköpings universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Grief; identity; Internet; narrative; stigma; suicide; theatre; youth; Identitet; Internet; narrativ; självmord; sorg; stigma; teater; ungdomar;

    Sammanfattning : Grief following a parent’s suicide has been called ‘the silent grief’: due to a prevailing stigma connected to suicide as a mode of death, the parent cannot be talked about. This silenced or distorted communication complicates grieving youths’ meaning reconstruction centred on the question of why the parent committed suicide – a question inevitably linked to queries of who the deceased parent was, and that ultimately triggers thoughts about who oneself has become in the light of this experience. LÄS MER