Sökning: "group theatre"
Visar resultat 16 - 20 av 30 avhandlingar innehållade orden group theatre.
16. Den vakna patienten : En kvalitativ studie om intraoperativ omvårdnad
Sammanfattning : Inledning: Som ett resultat av utvecklingen inom anestesi och kirurgi kan allt mer komplexa operationer utföras i lokala eller regionala anestesier. Detta innebär att den kirurgiska patienten kan förbli mer eller mindre vaken genom hela den intraoperativa fasen. LÄS MER
17. Aska, Tomhet & Eld. Outsiderproblematiken hos Bruno K. Öijer
Sammanfattning : The topic of this dissertation is the work of the poet Bruno K. Öijer (b. 1951). My thesis is, that a recognition of how he has assumed the outsider position is vital for an understanding of his work, and that it also may contribute to an explanation of his particular importance in the cultural arena of the early 70s. LÄS MER
18. Exploring the Role of Visualization in Climate Change Communication – an Audience Perspective
Sammanfattning : Climate change communication is a topical and relevant issue, and it is widely acknowledged that public communication about causes, impacts and action alternatives is integral to addressing the challenges of the changing climate. Climate visualization concerns the communication of climate information and data through the use of different information technologies and different modes of visual representation. LÄS MER
19. Poetic Diction and Poetic References in the Preludes of Plato’s Laws
Sammanfattning : This doctoral dissertation investigates how Plato elaborates and incorporates the works of the poets in the preludes to the laws. It is argued that the poetic style of the preludes represents a key element for the Athenian’s purpose of persuading the citizens of Magnesia to spontaneously abide to the new legislation that is being laid out. LÄS MER
20. Nordisk teater i Montevideo : Kontextrelaterad reception av Henrik Ibsen och August Strindberg
Sammanfattning : The primary purpose of this dissertation is to study the dialogue between the Scandinavian drama and the Uruguayan theatre; how drama from Scandinavia has been received in the Río de la Plata during the last hundred years; how it has been adapted and activated to be meaningful to the audience; how it has been integrated within the Uruguayan theatre and society and how the play changes with that new dialogue. As this is the first study of Scandinavian plays in Uruguay a secondary purpose is to document what has been put on stage; fifty-three productions, ninety percent of which were plays by Henrik Ibsen and August Strindberg. LÄS MER