Sökning: "National art"

Visar resultat 1 - 5 av 146 avhandlingar innehållade orden National art.

  1. 1. Konstens nationella identitet. : Om tysk och österrikisk modernism i svensk konstkritik 1908-1934

    Författare :Andrea Kollnitz; Margaretha Rossholm Lagerlöf; Barbro Schaffer; Marta Edling; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art criticism; rhetoric; nationalism; national identity; modernism; avant-garde; artist’s rôle; German expressionism; Austrian expressionism; German art; Swedish art; Wassily Kandinsky; Käthe Kollwitz; Art; Konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the reactions to German and Austrian modernism in Swedish art criticism between 1908 and 1934. It analyses the rhetoric of art-critical texts and examines the persuasive strategies and powerful verbal imagery of art criticism as well as its national interests. LÄS MER

  3. 2. Könsskillnadens estetik? Om konst och konstskapande i svensk hemslöjd på 1920- och 1990-talen

    Författare :Johanna Rosenqvist; Anna Lena Lindberg; Jorunn Veiteberg; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Handicraft; Art history; feminist art theory; Konsthistoria; Aesthetics; Art History; Konstvetenskap; fields of art; Folk art; ornament; Arts and Crafts; Modernism; Post modernism; textile art; Sloyd; The National Association of Swedish Handicraft Societies; Estetik; handdicraft; Art;

    Sammanfattning : The main objective of this PhD thesis, "An Aesthetics of Sexual Difference? On Art and Artistry in Swedish Handicraft of the 1920s and 1990s", is to investigate the field of handicraft in relation to a wider field of cultural production. Its aim is to contribute to a mapping of interrelated outlines of handicraft and art based on empirical studies of artistic creation in two local Swedish handicraft organizations during the modernism of the 1920s and the postmodernism of the 1990s. LÄS MER

  4. 3. Kunst og nasjon : Brytninger i kunstsynet i Norge 1750–1905

    Författare :Randi C. Solheim; Anna Källén; Peter Gillgren; Jan von Bonsdorff; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Art history; art theory; historiography; close reading; longue durée; nation-building; nationalism; Norway; 18th century; 19th century; konstvetenskap; Art History;

    Sammanfattning : The thesis examines the art theoretical discourse, in Norway, from the mid eighteenth century up to 1905. The objective of the study has been to identify and analyse the most important art theoretical positions in treatises and other programmatic texts and works of art. LÄS MER

  5. 4. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  7. 5. Om måleriet i den klassicistiska konstteorin : Praktikens teoretiska position under 1700-talets andra hälft

    Författare :Marta Edling; Torsten Weimarck; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Classicist art theory; eighteenth century; painting; practice and manual execution vs. mental creativity; material form and intellectual content of the art object; the hierarchy of genres; national schools of painting.; konstvetenskap; Art History; Art; Konstvetenskap;

    Sammanfattning : The character of the manual execution and material form of the art object were ascribed little value in the classicist theory of art. The practical act of painting was associated with handicraft and routine. LÄS MER