Sökning: "iconography"

Visar resultat 1 - 5 av 54 avhandlingar innehållade ordet iconography.

  1. 1. On Corinthian iconography : the bridled winged horse and the helmeted female head in the sixth century BC

    Författare :Peter E. Blomberg; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Konst; Konsthistoria; Ikonografi; Grekland; Antiken; Konsthantverk; Keramik; Glas; Historical cultures; Historiska kulturer;

    Sammanfattning : .... LÄS MER

  3. 2. Byzantine holy images and the issue of transcendence and immanence : The theological background of the Late Byzantine Palaiologan iconography and aesthetics of the Chora church, Istanbul

    Författare :Anne Karahan; Margareta Rossholm Lagerlöf; Madeleine von Heland; Øystein Hjort; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Aesthetics; Balance; Basil the Great; Byzantine; Cappadocian Fathers; Chora church; Chora museum; Church Father; Fresco; Gregory of Nazianzos; Gregory Nazianzen; Gregory of Nyssa; Holy Image; Icon; Iconography; Immanence; Istanbul; John of Damascus; John Damascene; Kariye Camii; Kariye Müzesi; Kinetics; Late Byzantine; Medieval Art; Mosaic; Mural painting; Palaiologan; Palaeologan; Patristics; Transcendence; Art; Konstvetenskap;

    Sammanfattning : On the basis of theological ideas in the Christian Orthodox tradition in general, and the Cappadocian Fathers in specific, this dissertation examines how the ontology of the transcendent triune God and the human and divine in Christ is implied or manifest in the Late Byzantine Palaiologan mosaics and murals of the Chora church.The study is divided into four chapters. LÄS MER

  4. 3. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  5. 4. The Egyptianizing, male, limestone statuary from Cyprus : a study of a cross-cultural, Eastern Mediterranean votive type

    Författare :Fanni Faegersten; Antikens kultur och samhällsliv; []
    Nyckelord :HUMANIORA; HUMANITIES; ivory; cultural contacts; Egypt; Phoenicia; archaeological contexts; votive gifts; sanctuaries; the Archaic period; transformations of Egyptian dress and jewelry; Egyptianizing iconography; limestone; Cyprus; Cypriote sculpture; wood; “color as pattern”; royal iconography; Ancient history; Antikens och forntidens historia; Archaeology; Arkeologi;

    Sammanfattning : This thesis is a study of a particular limestone votive statuary type which was dedicated in the sanctuaries on Cyprus during the entire 6th century B.C. Common to the group of figures is that they are wearing a Cypriote version of an Egyptian-type outfit, including characteristic Egyptian royal headgear and jewelry. LÄS MER

  7. 5. The Chicago Painter and the Villa Giulia Painter's group

    Författare :Siv Blomqvist-Linér; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Attic pottery; Classical art; Dionysos; iconography; maenads; mythological motifs; red-figure; satyrs; stamnoi; vase-painting;

    Sammanfattning : The Chicago Painter is a member of the Villa Giulia Painter's group during the decades around 450 B.C. in Athens. He is a red-figure vase painter who has been named by J. LÄS MER