Sökning: "German art"

Visar resultat 1 - 5 av 47 avhandlingar innehållade orden German art.

  1. 1. Konstens nationella identitet. : Om tysk och österrikisk modernism i svensk konstkritik 1908-1934

    Författare :Andrea Kollnitz; Margaretha Rossholm Lagerlöf; Barbro Schaffer; Marta Edling; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; art criticism; rhetoric; nationalism; national identity; modernism; avant-garde; artist’s rôle; German expressionism; Austrian expressionism; German art; Swedish art; Wassily Kandinsky; Käthe Kollwitz; Art; Konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the reactions to German and Austrian modernism in Swedish art criticism between 1908 and 1934. It analyses the rhetoric of art-critical texts and examines the persuasive strategies and powerful verbal imagery of art criticism as well as its national interests. LÄS MER

  3. 2. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  4. 3. Coloured Universe and the Russian Avant-Garde : Matiushin on Colour Vision in Stalin's Russia, 1932

    Författare :Margareta Tillberg; Jeff Werner; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Colour vision; Russian avant-garde; Mikhail Matiushin; Elena Guro; Ender siblings; art; science; laboratory observations; colour practices; colour theory; synaesthesia; dialectical materialism; Stalin; culture; universal language; architecture; design; Matjušin; Michail Vasilʹevič; 1861-1934; Experimentell konsthistoria Sovjetunionen 1930-talet; Färglära historia Sovjetunionen 1930-talet; Art; Konstvetenskap; konstvetenskap; Art History; practices; physiology; psychology; formalism;

    Sammanfattning : Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. LÄS MER

  5. 4. Den höviska kulturen i Norden : En konsthistorisk undersökning

    Författare :Herman Bengtsson; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; Court culture; secular art; courtliness; chivalry; Scandinavia; High and Late Middle Ages; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : This thesis traces the influence of the continental court society and the concepts of courtliness, chivalry and knighthood on Denmark, Norway and Sweden in the High and Late Middle Ages (c. 1150-1520). Although many of the art objects and texts here discussed are well-known, a comparative study of this kind has hitherto never been attempted. LÄS MER

  7. 5. Bilder av Förintelsen. Mening, minne, kompromettering

    Författare :Max Liljefors; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Visual Studies; Visual Culture; Holocaust Representation; Holocaust Art; Holocaust Studies; Documentary Photography; Abject Art; NO!art; Monuments; Psychoanalytic Theory; Julia Kristeva; Jacques Lacan; Abjection; Sublimation; Sacrifice; Katharsis; Apocaly; Art history; Konsthistoria; Contemporary history since 1914 ; Nutidshistoria från 1914 ;

    Sammanfattning : This thesis examines the representation in visual culture of the Holocaust, the Nazi genocide of European Jewry. It is divided into three main parts, each one focusing on a particular aspect of Holocaust representation. LÄS MER