Sökning: "American photography"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden American photography.

  1. 1. Impure vision : American staged art photography of the 1970s

    Författare :Moa Goysdotter; Institutionen för kulturvetenskaper; []
    Nyckelord :HUMANIORA; HUMANITIES; vision; phenomenology; postphenomenology; visuality; Lucas Samaras; Arthur Tress; Duane Michals; Les Krims; staged photography; art photography; history of photography; 20th century photography; photography from the 1970s; American photography;

    Sammanfattning : The aim of this study is to explore how American staged art photographers in the 1970s problematized a traditional, visualist approach to the photograph as mediator or interface between human subject and reality, which had been present in the straight photography that had dominated American art photography from the early decades of the twentieth century. Instead of viewing the camera as an objective, optical device and photographs as mechanically reproducible artistic products, the proponents of the new "staged photography" seized the possibilities of conveying holistic life experiences by employing a full range of sensory impressions. LÄS MER

  2. 2. In Search of the Pure Photograph : A Historiographic Study of the Farm Security Administration, Walker Evans, and the Survey Histories of Photography

    Författare :Cecilia Strandroth; Marta Edling; Jan von Bonsdorff; Karin Becker; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Art history; photography; historiography; documentary; history of photography; Farm Security Administration; Walker Evans; propaganda; modernism; media specificity; photographic archives; Konstvetenskap; History Of Art; konstvetenskap; Art;

    Sammanfattning : The photographic archive of the American New Deal agency Farm Security Administration (created 1935-1943) occupies an important place in the history of photography as an exemplar of documentary photography and as symbol of the Great Depression. This dissertation is a historiographic study of this narrative of FSA photography, which investigates the archive's monumental position in the historical narration and demonstrates other possible readings. LÄS MER

  3. 3. Barbro Östlihn och New York : Konstens rum och möjligheter

    Författare :Annika Öhrner; Hans Hayden; Jan von Bonsdorff; Marta Edling; Maria Hirvi-Ijäs; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Barbro Östlihn; post war art history; American post war art history; Swedish art history; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Barbro Östlihn; post World War II Art History; American post World War II art; Swedish Art History; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. LÄS MER

  4. 4. Kameran i krig : den fotografiska iscensättningen av Vietnamkriget i svensk press

    Författare :Kari Andén-Papadopoulos; Peter Larsen; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; war photography; Vietnam war; media; visual communication; documentary photography; photo history; photo theory; Sweden; gender theory; masculinity; femininity; postcolonial theory; cultural studies; ideologies; medie- och kommunikationsvetenskap; Media and Communication Studies;

    Sammanfattning : The doctoral thesis deals with the problems of (news) photographic representation in general, and is based on an empirical study ofVietnam War photography in four major Swedish daily newspapers. A more specific aim of the thesis is to investigate and ideologically evaluate the representational strategies of the press photographs. LÄS MER

  5. 5. The Archival Life of Home Movies : Regional Reflections and Negotiated Visions of a Shared Past

    Författare :Ashley Smith; Malin Wahlberg; Patrick Vonderau; Patricia R. Zimmermann; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Home movies; amateur film; non-theatrical film; moving images; archiving; film archives; American South; Mississippi; Jim Crow; race; whiteness; witnessing; ordinary; filmvetenskap; Cinema Studies;

    Sammanfattning : This study investigates the ways in which private home movies are transformed into curated archival objects. Through the concept of the archival home movie, it explores the impact of preservation and content description on access, use, and, thus, regional historiography. LÄS MER