Sökning: "theatrical"

Visar resultat 11 - 15 av 64 avhandlingar innehållade ordet theatrical.

  1. 11. Performing Power : The Political Masks of King Gustav III of Sweden (1771-1792)

    Författare :Maria Berlova; Willmar Sauter; Roland Lysell; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Gustav III; theatricality; theatrical playing; staging; pageant; performative communication; Theatre Studies; teatervetenskap;

    Sammanfattning : King Gustav III founded the Swedish National Theater and Opera, participated in the court theater as playwright, director and actor and he was rightly called the Theater King. The King’s passion for acting was perceived in the past as a psychological weakness, which won him the appellation of wimp (fjant). LÄS MER

  3. 12. Omförhandlingar : Kropp, replik, etik

    Författare :Petra Fransson; Lärare (Teaterhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; acting; body; theatrical line; ethics; action; feminist theatre; critical practice; speaking subject; ambiguity as method; performativity; artistic research; Elfriede Jelinek; Simone de Beauvoir; Julia Kristeva; Hanna Arendt; Virginia Woolf; Judith Butler; Gayatri Chakravorty Spivak; Sarah Ahmed;

    Sammanfattning : Renegotiations: Body, Line, Ethics departs from questions concerning authorship and agency for actors in institutionalised settings and moves towards a discussion on ethics, responsibility and possibilities in the body – text relationship. The question of how bodies can be renegotiated in and by the theatrical line is central to the work. LÄS MER

  4. 13. The Rhythm of Thinking: Immanence and Ethics in Theater Performance

    Författare :Johan Petri; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; artistic research; co-composition; collective processes; compositional structure; dramaturgy; ethics; hierarchy in collective creation; immanent collective creation; instant collective composition; multiplicity; music theater; performance philosophy; performative critique; process ontology; process philosophy; relation of non-relation; theater; theater directing; theatrical composition; Rosi Braidotti; John Cage; Gilles Deleuze; Brian Massumi; Mathias Spahlinger;

    Sammanfattning : The dissertation The Rhythm of Thinking: Immanence and Ethics in Theater Performance is an artistic research project in the field of theater, with directing and theatrical composition and dramaturgy as its main points of focus. The critical exploration is based on the experience of conceptualizing and directing three different theater performances. LÄS MER

  5. 14. Spelet om teaterpolitiken : Det svenska regionteatersystemet – från statligt initiativ till lokal realitet

    Författare :Rikard Hoogland; Willmar Sauter; Jørn Langsted; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Pierre Bourdieu; Anthony Giddens; regional theatres; theatre for children; cultural fields; theatrical event; cultural policy; regionalism; social democracy; welfare state; theatre critique; group theatre; Nobuko Kawashima; Willmar Sauter; kulturpolitik; regionalisering; länsteatrar; regionteatrar; socialdemokrati; välfärdsstat; teaterkritik; gruppteater; fria grupper; barnteater; kulturella fält; teaterhändelsen; Riksteatern; Västernorrlands regionteater; Teater Västernorrland; Länsteatern i Dalarna; Dalateatern; Västmanlands länsteater; Teater Västmanland; Film; Filmvetenskap; teatervetenskap; Theatre Studies;

    Sammanfattning : The aim of this dissertation is to examine the impact that the new cultural policy had on the field of Swedish theatre in the 1970s. Of special interest is the system of regional theatres that emerged from the new cultural policy. In focus are the central political process, and the founding of three regional theatres. LÄS MER

  7. 15. Sprachvertonung und Gestik in den Werken Richard Wagners : Ein­flüsse zeitgenössischer Rezitations- und Deklamationspraxis

    Författare :Martin Knust; Walter Werbeck; Germany University Greifswald; []
    Nyckelord :HUMANIORA; HUMANITIES; Wagner; musical declamation; gesture; performance practice; scene; art of speech; analysis vocal music; stage directions; theatrical arts; Music; Musikvetenskap; Musicology; musikvetenskap;

    Sammanfattning : Richard Wagner besaß eine eminente schauspielerische Begabung, war aber physisch für die pro­fessionelle Schauspielerlaufbahn ungeeignet. Er kompensierte diese Verhinderung auf mehrere Weisen: Zum einen las und sang er sehr gerne dramatische Texte vor. Zum zweiten betätigte er sich als Regisseur, und zwar als erster Regisseur im modernen Sinne. LÄS MER