Sökning: "theatrical playing"
Visar resultat 1 - 5 av 7 avhandlingar innehållade orden theatrical playing.
1. Spelrum gatan : Strategier, gränser och motsättningar i spelhändelser genomförda på 2010-talets Södermalm i Stockholm
Sammanfattning : The aim of the thesis is to shed light on the processes produced when collective performances, here conceptualized as playing events, are performed in urban space in a specific city area, Södermalm in Stockholm between 2012 and 2017. By analyzing urban space as a changing and contradictory space, the study shows how playing events transform everyday space into a playing space. LÄS MER
2. Creating theatrical dreams : a Taoist approach to Molander's, Bergman's and Wilson's productions of Strindberg's A dream play
Sammanfattning : The aim of this dissertation is to explore the Tao of theater through the study of the productions of Strindberg’s A Dream Play on stage. For the purpose of understanding these dynamic relationships Taoism is used and especially I Ching, the essence of eastern philosophies. LÄS MER
3. Playing Activists and Dancing Anarchists : Men and Masculinities in Cultural Performances in Contemporary Sweden
Sammanfattning : Playing Activists and Dancing Anarchists is a Ph.D. dissertation that aims to analyse men and masculinities in political demonstrations and similar manifestations by conceptualising and analytically approaching such cultural performances as theatrical events. LÄS MER
4. Playing Activists and Dancing Anarchists : Men and Masculinities in Cultural Performances in Contemporary Sweden
Sammanfattning : Playing Activists and Dancing Anarchists is a Ph.D. dissertation that aims to analyse men and masculinities in political demonstrations and similar manifestations by conceptualising and analytically approaching such cultural performances as theatrical events. LÄS MER
5. Performing Power : The Political Masks of King Gustav III of Sweden (1771-1792)
Sammanfattning : King Gustav III founded the Swedish National Theater and Opera, participated in the court theater as playwright, director and actor and he was rightly called the Theater King. The King’s passion for acting was perceived in the past as a psychological weakness, which won him the appellation of wimp (fjant). LÄS MER