Sökning: "theatrical arts"
Visar resultat 1 - 5 av 38 avhandlingar innehållade orden theatrical arts.
1. The Rhythm of Thinking: Immanence and Ethics in Theater Performance
Sammanfattning : The dissertation The Rhythm of Thinking: Immanence and Ethics in Theater Performance is an artistic research project in the field of theater, with directing and theatrical composition and dramaturgy as its main points of focus. The critical exploration is based on the experience of conceptualizing and directing three different theater performances. LÄS MER
2. Circoanalysis : Circus, Therapy and Psychoanalysis
Sammanfattning : There is an object/artefact of circus and a subject/process that makes it. This research considers the subject of the circus-making in order to bring it to the foreground of future discussions about pedagogy, practice and production. LÄS MER
3. Den kapitalistiska skådespelaren : Aktör eller leverantör?
Sammanfattning : The dissertation revolves around an actor’s craft as a changing craft. Theatre workers– like many other professions in Sweden – have experienced major changes in thelabour market during a relatively short period of time. LÄS MER
4. Tvivel - replikernas poetik
Sammanfattning : A departing assumption in my work is the idea about a particular kind of conflict inherent in the theatrical line, produced by its situatedness in the specific relational doubt created in the speaking, performing voice and body, a space articulated already in the written line, as writing intended to be spoken. To the inherent self-contradiction in such utterances are added the layers of conscious and unconscious intent, discrepancies and dissonances emerging in relation to those who witness the act of speaking. LÄS MER
5. Omförhandlingar : Kropp, replik, etik
Sammanfattning : Renegotiations: Body, Line, Ethics departs from questions concerning authorship and agency for actors in institutionalised settings and moves towards a discussion on ethics, responsibility and possibilities in the body – text relationship. The question of how bodies can be renegotiated in and by the theatrical line is central to the work. LÄS MER