Sökning: "theatrical"
Visar resultat 21 - 25 av 64 avhandlingar innehållade ordet theatrical.
21. La constellation de Thespis : Pr�sence du th��tre et dimension m�tath��trale dans l??uvre dramatique de Victor Hugo
Sammanfattning : This thesis deals with the different aspects of metatheatricality in Victor Hugo’s dramatic works. Through a textual approach, it is shown how the author’s writing is marked by the presence of theatre within and about theatre, which is organized as a constellation of occurrences. LÄS MER
22. Rousseau's Idea of Theatre : From Criticism to Practice
Sammanfattning : As a critic of the moral consequences of Parisian theatre while writing plays and music for it, Jean-Jacques Rousseau (1712-1778) had a double relationship to the art form of theatre. This doctoral thesis argues that his seemingly double position towards the theatre is not necessarily contradictory. LÄS MER
23. Rättens iscensättning : rum, framträdanden, gränser
Sammanfattning : This dissertation studies legal practice and representation from the perspective of Theatre- and Performance Studies. It aims to describe and analyse the theatrical, ritualistic and spatial aspects of law, its practices, representations and buildings. More specifically, the dissertation explores the trial as a performance. LÄS MER
24. Costume in the Time of Reforms : Louis-René Boquet Designing Eighteenth-Century Ballet and Opera
Sammanfattning : The long eighteenth century was a turbulent period in France, many crucial reforms in society, politics and art challenging the established order of the ancien régime. This battle took place on the theatrical stage as well and materialized in the approach to costume. LÄS MER
25. Teatermusikaliska ljudhändelser. Ett bidrag till studiet av musik och angränsande ljudobjekt i talteater och opera
Sammanfattning : This dissertation focuses primarily on the following aspects concerning music in theatre: 1) its experienced peculiarity – ontologically grounded, 2) its sounding scope, and 3) its various kinds of functions. I argue that the difference between spoken theatre and opera is a question of degree rather than essence, and consider such an assertion being especially valid for the music of these genres. LÄS MER
