Sökning: "folklore"

Visar resultat 26 - 30 av 42 avhandlingar innehållade ordet folklore.

1. 26. Passion Embracing Death : A reading of Nina Sadur's novel 'The Garden'

   Författare :Karin Sarsenov; Språk- och litteraturcentrum; []
   Nyckelord :HUMANIORA; HUMANITIES; Ryska språk och litteratur ; Russian language and literature; gendered subjectivity; love incantations; socialist realism; chthonic forces; leitmotif; alcoholic discourse; schizoid discourse; aberrant discourse; Russian women s literature; General and comparative literature; literature criticism; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori;

   Sammanfattning : This doctoral dissertation is an analysis of the novel 'The Garden' (1997), by the Russian author Nina Sadur. Drawing on feminist literary criticism, it aims at providing a woman-authored text with the in-depth study the novel’s literary sophistication calls for. LÄS MER

3. 27. Sagans förvandlingar: Eva Wigström som sagosamlare och sagoförfattare

   Författare :Maria Ehrenberg; Litteraturvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; General and comparative literature; literacy.; orality; Eva Wigström; Bengt Holbek; Walter Ong; Gérard Genette; AT 502; AT 501; AT 500; AT 433b; ”The Wild Man”; ”King Lindorm”; ”The Three Old Women Helpers”; kunstmärchen; ”The Name of the Helper”; Fairy tale; folk tale; literature criticism; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori; Scandinavian languages and literature; Nordiska språk språk och litteratur ;

   Sammanfattning : The purpose of this thesis is to study how fairy tales can change when they are removed from one set of surroundings to another. This movement can occur on several levels; from an orally spoken to a written text, from a rural proletariat to an urban bourgeoisie. LÄS MER

4. 28. Strindberg och skräcken : Skräckmotiv och identitetstematik i August Strindbergs författarskap

   Författare :Henrik Johnsson; Göran Rossholm; Ola Holmgren; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; Doppelgänger; Edgar Allan Poe; E.T.A. Hoffmann; fantasy; ghost; homunculus; horror; identity; vampire; Literature; Litteraturvetenskap; litteraturvetenskap; History of Literature;

   Sammanfattning : The subject of this dissertation is the theme of identity in the works of August Strindberg and how this theme is explored through the use of motifs drawn from the literature of horror and fantasy as well as Swedish folklore. The theme deals with how the individual’s identity is shaped and what it consists of, and how it can be manipulated, stolen or lost through interaction with other people. LÄS MER

5. 29. Krakel Spektakel, hör hur det låter! Studier i Lennart Hellsings språkvärld

   Författare :Inger Nilsson; Litteraturvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; literature criticism; General and comparative literature; Nordiska språk språk och litteratur ; Scandinavian languages and literature; children s songs; orality; verse-making; children s poems; Lennart Hellsing; literary theory; Allmän och jämförande litteratur; litteraturkritik; litteraturteori;

   Sammanfattning : This thesis deals with Lennart Hellsing's works, and especially his texts for small children, from 1945 to 2000. In an introductory survey the oral transmission of literature is discussed in relation to orality and literacy. The presupposition is that there are similarities between oral culture and texts for the very young. LÄS MER

7. 30. Locating Inter-Scandinavian Silent Film Culture : Connections, Contentions, Configurations

   Författare :Anne Bachmann; Jan Olsson; Mark Sandberg; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; silent film; Scandinavia; transnational film; film discourse; location; censorship; film adaptation; Cinema Studies; filmvetenskap;

   Sammanfattning : The thesis revisits film and film-culture history in Sweden, Denmark and Norway with a view to discourses and practices of the inter- and trans-Scandinavian in the silent era. Excluding the earliest films, but including the transition to synchronised sound, it covers the period of the 1900s to 1930 with emphasis on the 1910s and 1920s. LÄS MER