Sökning: "transnational film"

Visar resultat 1 - 5 av 9 avhandlingar innehållade orden transnational film.

  1. 1. Locating Inter-Scandinavian Silent Film Culture : Connections, Contentions, Configurations

    Författare :Anne Bachmann; Jan Olsson; Mark Sandberg; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; film history; silent film; Scandinavia; transnational film; film discourse; location; censorship; film adaptation; Cinema Studies; filmvetenskap;

    Sammanfattning : The thesis revisits film and film-culture history in Sweden, Denmark and Norway with a view to discourses and practices of the inter- and trans-Scandinavian in the silent era. Excluding the earliest films, but including the transition to synchronised sound, it covers the period of the 1900s to 1930 with emphasis on the 1910s and 1920s. LÄS MER

  2. 2. Chinatown Film Culture : The Appearance of Cinema in San Francisco’s Chinese Neighborhood, 1906-1915

    Författare :Kim Khavar Fahlstedt; Jan Olsson; Gregory Waller; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Film history; early cinema; local film history; Chinese-American history; transnational cinema; orientalism; urban studies; San Francisco; Chinatown; Sid Grauman; Cinema Studies; filmvetenskap;

    Sammanfattning : This study investigates film culture in San Francisco's Chinatown between the years 1906 and 1915. While Chinatowns have figured in several studies of representation in classical Hollywood cinema, it has rarely been approached as a place where film culture actually happened. LÄS MER

  3. 3. Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia

    Författare :Nadi Tofighian; John Fullerton; Charles Musser; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANIORA; HUMANIORA; HUMANITIES; HUMANITIES; HUMANITIES; colonial history; early cinema; film history; distribution; transnational networks; entertainment culture; Southeast Asia; Singapore; postcolonial theory; colonial discourse; ethnicity; race; whiteness; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. LÄS MER

  4. 4. Imagining Safe Space : The Politics of Queer, Feminist and Lesbian Pornography

    Författare :Ingrid Ryberg; Anu Koivunen; Fanny Ambjörnsson; Patricia White; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Pornography; Queer; feminist and lesbian activism; Interpretive community; Embodied spectatorship; Fantasy; Film production; distribution and reception; Intimate public; Counter public; Consciousness-raising; Cinema Studies; filmvetenskap;

    Sammanfattning : There is a current wave of interest in pornography as a vehicle for queer, feminist and lesbian activism. Examples include Dirty Diaries: Twelve Shorts of Feminist Porn (Engberg, Sweden, 2009), the Pornfilmfestival Berlin (2006-) and the members-only Club LASH in Stockholm (1995-). LÄS MER

  5. 5. Do You Have a TV? : Negotiating Swedish Public Service through 1950's Programming, "Americanization," and Domesticity

    Författare :Tove Thorslund; Jan Olsson; Pelle Snickars; Mats Björkin; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; television history; cultural history; public service; 1950s; television programming; intermediality; simulcast; program format; transnational; Americanization; domesticity; television set as furniture; everyday life; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation presents a cultural history of early Swedish television. The focus is on the investigation of 1950s programming, intermedial connections, processes of “Americanization,” and domestic, socio-cultural change in direct relation to the new medium. LÄS MER