Sökning: "music association"

Visar resultat 1 - 5 av 14 avhandlingar innehållade orden music association.

  1. 1. Sound perception and design in multimodal environments

    Författare :PerMagnus Lindborg; Anders K. Friberg; Daniel Västfjäll; KTH; []
    Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; HUMANIORA; HUMANITIES; NATURVETENSKAP; NATURAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; sound; perception; design; multimodal; environment; soundscape; music; listening; crossmodal; psychoacoustics; psychophysiology; personality trait; emotion; appraisal; aesthetics; colour; correlation; regression; classification; sonification; Tal- och musikkommunikation; Speech and Music Communication;

    Sammanfattning : This dissertation is about sound in context. Since sensory processing is inherently multimodal, research in sound is necessarily multidisciplinary. The present work has been guided by principles of systematicity, ecological validity, complementarity of  methods, and integration of science and art. LÄS MER

  3. 2. Rocken spelar roll : En etnologisk studie av kvinnliga rockmusiker

    Författare :Marika Nordström; Alf Arvidsson; Marianne Liliequist; Alf Björnberg; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; rock music; rock musician; rock band; identity; feminism; gender; music making; amateur musician; creativity; identity politics; singer songwriter; Riot Grrrls Movement; third wave feminism; post feminism; music association; popular music; music education; music taste; fanship; Ethnology; Etnologi; Ethnology; etnologi;

    Sammanfattning : This doctoral thesis is about female rock musicians who are involved in two Swedish non-profit feminist music associations; Rockrebeller, which is situated in Uppsala and She´s Got the Beat in Umeå. The aim of the study is to analyze how the informants describe their lives as rock musicians and as active participants in these feminist music associations. LÄS MER

  4. 3. Man kan aldrig kunna allt om musik - det känns verkligen stort : en pragmatisk studie om gymnasieungdomars begreppsliggörande av kunskap och lärande i musik

    Författare :Johan Nyberg; Kungl. Musikhögskolan; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; musikpedagogik; musikkunskaper; musikaliskt lärande;

    Sammanfattning :  In my profession as a music teacher in upper secondary school, I have often encountered students who express a dichotomy between their association of music in everyday life and music in school. This display of conflict can for instance surface when it becomes obvious to them that working with and learning music may comprise more than performative or aesthetic aspects. LÄS MER

  5. 4. Affective responses to music in depressed individuals : Aesthetic judgments, emotions, and the impact of music-evoked autobiographical memories

    Författare :Laura Stavroula Sakka; Patrik N Juslin; Urs Nater; Uppsala universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; depression; music listening; emotional reactions; emotion regulation; aesthetic judgment; cognitive bias; music-evoked autobiographical memories;

    Sammanfattning : Music’s powerful influence on our affective states is often utilized in everyday life for emotion regulation and in music-therapeutic interventions against depression. Given this ability of music to influence emotions and symptoms in depressed people, it appears imperative to understand how these individuals affectively respond to music. LÄS MER

  7. 5. Sjungande berättare - vissång som estradkonst 1900–1970

    Författare :Marita Rhedin; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; authenticity; folk music; guitar; lute; microphone; performance practice; poetry; process of change; repertoire; simplicity; singing style; singer-songwriter; song; Sweden; troubadour; visa; voice;

    Sammanfattning : The purpose of this dissertation is to investigate how the song type visa, especially the so-called literary visa, has been presented on Swedish public stages from 1900 to 1970. More specifically it aims to: a) identify characteristic features for the performance of visa; b) ascertain in what ways performance practice has changed during the period; c) analyze and discuss the causes of change; by d) studying the performance of visa in its social and historical context. LÄS MER