Sökning: "soundscape"

Visar resultat 1 - 5 av 17 avhandlingar innehållade ordet soundscape.

  1. 1. Unwanted wanted sounds : Perception of sounds from water structures in urban soundscapes

    Författare :Maria Rådsten Ekman; Mats E Nilsson; Catherine Lavandier; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Perception; psychoacoustics; soundscape; water-sound; psykologi; Psychology;

    Sammanfattning : Water structures, for example, fountains, are common design elements in urban open public spaces. Their popularity is probably explained by their visual attractiveness. Less is known about how the sounds of water struc-tures influence the urban soundscape. LÄS MER

  3. 2. Sågarnas sång : folkligt musicerande i sågverkssamhället Holmsund 1850-1980

    Författare :Alf Arvidsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Ethnomusicology; working-class culture; workers music; soundscape; amateur music; popular music; dancing; concerts;

    Sammanfattning : The aim of this dissertation is to analyze the public music-making by locals in Holmsund 1850—1980, and to explain the great variety of musical forms in hope to thereby illuminate the importance of local music-making for the workers' musical taste, but also how workers' musical aesthetics were affected by a more general working-class culture. The variety of musical forms is explained according to John Blacking's distinction between change of musical system, and variation and innovation within a musical system. LÄS MER

  4. 3. Interaktiv musikkomposition

    Författare :Anders-Petter Andersson; Ola Stockfelt; Sanne Krogh Groth; Högskolan Kristianstad; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANITIES; HUMANIORA; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; TEKNIK OCH TEKNOLOGIER; HUMANIORA; ENGINEERING AND TECHNOLOGY; HUMANITIES; Interactive Music; Music Composition; Improvisation; Sound Design; Interaction Design; Musicology; Narrative; Gameplay; Co-creator; Collaboration; Open; Computer Music; Practice based; Artistic Research; Research by Design; Music analysis; Musicking; Musical Mediation; Shifting response; Genre; Funk; Jazz; Techno; SuperCollider; Max MSP; Interaktiv musik; Musikkomposition; Improvisation; Ljuddesign; Interaktionsdesign; Musikvetenskap; Narrativ; Spelbarhet; Medskapare; Samarbeta; Öppen; Datormusik; Praktikbaserad; Konstnärlig forskning; Konstnärlig-kreativ; Designforskning; Musikanalys; att musika; Musikalisk mediering; Skiftande response; Genre; Funk; Jazz; Techno; SuperCollider; Max MSP; Interactive Music; Skiftande respons; Praktikbaserad forskning; Musik och hälsa; Music and Health; Dator; Computer; User; Användare; Komponera; Soundscape; Ljudlandskap;

    Sammanfattning : This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. LÄS MER

  5. 4. Interaktiv musikkomposition

    Författare :Anders-Petter Andersson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Interactive Music; Music Composition; Improvisation; Sound Design; Interaction Design; Musicology; Narrative; Gameplay; Co-creator; Collaboration; Open; Computer Music; Practice based; Artistic Research; Research by Design; Music analysis; Musicking; Musical Mediation; Shifting response; Genre; Funk; Jazz; Techno; SuperCollider; Max MSP; Musikvetenskap; Musikkomposition; Improvisation; Interaktiv musik; Interaktionsdesign; Medskapare; Öppen; Skiftande respons; Musikalisk mediering; Praktikbaserad forskning; Konstnärlig forskning; Musik och hälsa; Music and Health; Dator; Computer; User; Användare; Samarbeta; Komponera; Soundscape; Ljudlandskap;

    Sammanfattning : This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. LÄS MER

  7. 5. Ljudrum : En studie av ljud och lyssnande som kulturell praktik

    Författare :Karin Eriksson-Aras; Owe Ronström; Dan Lundberg; Uppsala universitet; []
    Nyckelord :sound spaces; soundscape; soundwalk; sound ethnography; sound transcriptions; Etnologi; Ethnology;

    Sammanfattning : The purpose of the thesis is to investigate how sound creates distinct, cognitive and spatial entities, sound spaces, and to find out how sound spaces constitute forms of human interaction. A further aim is to establish concepts used when studying sound spaces, thus contributing to a Swedish terminology for describing and analysing sound and sound spaces. LÄS MER