Sökning: "dramatic art"

Visar resultat 1 - 5 av 51 avhandlingar innehållade orden dramatic art.

  1. 1. Konstens nationella identitet. : Om tysk och österrikisk modernism i svensk konstkritik 1908-1934

    Författare :Andrea Kollnitz; Margaretha Rossholm Lagerlöf; Barbro Schaffer; Marta Edling; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art criticism; rhetoric; nationalism; national identity; modernism; avant-garde; artist’s rôle; German expressionism; Austrian expressionism; German art; Swedish art; Wassily Kandinsky; Käthe Kollwitz; Art; Konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the reactions to German and Austrian modernism in Swedish art criticism between 1908 and 1934. It analyses the rhetoric of art-critical texts and examines the persuasive strategies and powerful verbal imagery of art criticism as well as its national interests. LÄS MER

  3. 2. Excess och aktionskonst : en semiotisk analys av Hermann Nitschs Das 6-Tage-Spiel med betoning på första dagens Mittagsfinale

    Författare :Hans T. Sternudd; Ann-Charlotte Weimarck; Göran Sonesson; Anders Marner; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Hermann Nitsch; orgien mysterien theater; Das 6-Tage-Spiel; Wiener Aktionsgruppe; action art; actionism; performance art; Art history; Konsthistoria; stage art; semiotic; orgien mysterien theater; Hermann Nitsch; Das 6-Tage-Spiel; Wiener Aktionsgruppe; action art; actionism; performance art; Art history; Konsthistoria; stage art; semiotic;

    Sammanfattning : The subject for this dissertation is the Austrian artist Hermann Nitsch’s Das 6-Tage-Spiel (1998). The purpose is to examine in what way Das 6-Tage-Spiel, as part of the orgien mysterien theater (hereafter o. m. LÄS MER

  4. 3. Konst med konst som motiv : parafrasens estetik i 1900-talets bildkonst

    Författare :Hans Örtegren; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Paraphrase; quotation; allusion; copy; mimesis; intertextuality; 20th- century art; Pablo Picasso; Francis Bacon; Marcel Duchamp; René Magritte; Roy Lichtenstein;

    Sammanfattning : The subject of the thesis is 20th-century art about art. The intentions of the artist, the reference given in the work, and the reaction of the perceiver are all important factors in the definition of a paraphrase of art.A paraphrase is made by an artist with the intention of clearly alluding to earlier art. LÄS MER

  5. 4. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s

    Författare :Carina Rech; Sabrina Norlander Eliasson; Jessica Sjöholm Skrubbe; Martin Olin; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Nordic art; nineteenth-century art; women artists; self-portrait; portraiture; friendship; studio; collaboration; emulation; letters; epistolary; self-fashioning; feminist art history; Opponents; Salon; Julia Beck; Hanna Hirsch-Pauli; Bertha Wegmann; konstvetenskap; Art History;

    Sammanfattning : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. LÄS MER

  7. 5. Glasmåleri, modernitet och modernism : studier i glasmåleriets (konst)historia 1851-1955

    Författare :Helen Fuchs; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Stained glass; Modernism; Media-specific; World Fairs; Georges Rouault; Henri Matisse; Le Corbusier; Art Sacré; Assy; Vence; Art history; Ronchamp; Modernity; Konsthistoria;

    Sammanfattning : The aim of this thesis is to analyse the status of new stained glass from 1851-1955. The point of departure is that, despite stained glass having been part of the ?uvre of many well-known artists, it is often not included in the general history of art. LÄS MER