Sökning: "Marcel Duchamp"

Hittade 4 avhandlingar innehållade orden Marcel Duchamp.

  1. 1. Sven Duchamp - expert på auraproduktion : Om entreprenörskap, visioner, konst och företag

    Författare :Ivar Björkman; Per Olof Berg; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Business Administration; företagsekonomi;

    Sammanfattning : This study aims at investigating in what way the concept auraproduction offers an opportunity to locate a business-context into which entrepreneurs and artistry are merged. It also shows how the concept of auraproduction more specifically could be used to interpret ongoing production-processes that take place outside the company's control. LÄS MER

  3. 2. Konst med konst som motiv : parafrasens estetik i 1900-talets bildkonst

    Författare :Hans Örtegren; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Paraphrase; quotation; allusion; copy; mimesis; intertextuality; 20th- century art; Pablo Picasso; Francis Bacon; Marcel Duchamp; René Magritte; Roy Lichtenstein;

    Sammanfattning : The subject of the thesis is 20th-century art about art. The intentions of the artist, the reference given in the work, and the reaction of the perceiver are all important factors in the definition of a paraphrase of art.A paraphrase is made by an artist with the intention of clearly alluding to earlier art. LÄS MER

  4. 3. To Show: apropos of Marcel Duchamp’s Étant donnés: 1° La chute d’eau, 2° Le gaz d’éclairage

    Författare :Ann Pontén; Yrkes- och miljödermatologi; []
    Nyckelord :;

    Sammanfattning : Aims: To study aspects of Marcel Duchamp’s posthumous permanent installation 'Étant donnés: 1° La chute d’eau, 2° Le gaz d’éclairage…' ('Given: 1. The Waterfall, 2. The Illuminating Gas.. LÄS MER

  5. 4. An anagram of the ideas of filmmaker Maya Deren : creative work in motion pictures

    Författare :Moira Sullivan; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Deren; Maya; 1917-1961; Kvinnliga filmregissörer; Experimentfilm; USA;

    Sammanfattning : Maya Deren’s corpus of work, which has been given various designations within the American avant-garde filmmaking practice of the 1940’s and 1950’s, will be analysed according to the biographical legend—an approach that focuses on authorship within the historical conditions of conception and reception. Influences on her theories in art and ethnography will be noted through several historical discourses: the French Symbolist Poets, Henri Bergson, Kurt Koffka, T. LÄS MER