Sökning: "nineteenth-century art"

Visar resultat 1 - 5 av 29 avhandlingar innehållade orden nineteenth-century art.

  1. 1. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World

    Författare :Charlotta Nordström; Tomas Björk; Maria Görts; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; The Fürstenberg Gallery; The Fürstenberg Art Collection; Pontus Fürstenberg; Göthilda Fürstenberg; Gothenburg art ; Swedish Art; Nineteenth-Century Art; Patronage; Art Collection; The Opponents; Collecting Practices; Exhibition Practices; Blanch’s Art Salon; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. LÄS MER

  2. 2. Colonizing Fever : Race and Media Cultures in Late Nineteenth-Century Sweden

    Författare :Åsa Bharathi Larsson; Pelle Snickars; Jan von Bonsdorff; Patrik Steorn; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; media cultures; race; late nineteenth century; visual representations of the colonial world; colonialism; Sweden; postcolonial theory; urban everyday life; scientific expeditions; entertainment; Konstvetenskap; History of Art;

    Sammanfattning : The dissertation focuses on visual representations of the colonial world in late nineteenth-century Sweden. Situated at the intersection between postcolonial studies, visual culture studies and cultural histories of media, the study has a threefold aim. LÄS MER

  3. 3. Konsten att tämja en bild : Fotografiet och läsarens uppmärksamhet i 1800-talets Sverige

    Författare :Magnus Bremmer; Ulf Olsson; Sara Danius; Cecilia Lindhé; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Nineteenth century; photography; attention; the printed word; photo-texts; photographically illustrated books; discursive practices; media history; subjectivity; picturesque; idyllic realism; art reproductions; objectivity; cloud atlases; travel writing; religious revival; Literature; litteraturvetenskap;

    Sammanfattning : The present study inquires into the problematization of attention in the reception and distribution of photography in 19th-century Sweden. It investigates how photography’s alleged abundance of detail and indiscriminate reproduction became a problem in the reception of the medium. LÄS MER

  4. 4. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s

    Författare :Carina Rech; Sabrina Norlander Eliasson; Jessica Sjöholm Skrubbe; Martin Olin; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Nordic art; nineteenth-century art; women artists; self-portrait; portraiture; friendship; studio; collaboration; emulation; letters; epistolary; self-fashioning; feminist art history; Opponents; Salon; Julia Beck; Hanna Hirsch-Pauli; Bertha Wegmann; konstvetenskap; Art History;

    Sammanfattning : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. LÄS MER

  5. 5. Making in Context : Reconsidering Anders Zorn's Oil Painting Practice

    Författare :Emma Jansson; Sabrina Norlander Eliasson; Anna Bortolozzi; Jorgen Wadum; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Anders Zorn; oil painting; technical art history; technical analysis; materiality; material culture; conservation science; nineteenth century; juste milieu; modernism; modernity; Impressionism; Paris Salon; secessionism; konstvetenskap; Art History;

    Sammanfattning : Anders Zorn is one of the most well-known Swedish artists of the late nineteenth century. Born 1860 in the Dalecarlian town of Mora, the artist’s works were renowned and sought-after during his lifetime, both at home and abroad. LÄS MER